Blogging for a Good Book

12 Years a Slave (2014)

Blogging for a Good Book - Mon, 2014-06-09 01:01

It is without question that slavery in America was a brutal, vicious, and inhumane institution. However, for anyone who thinks slavery was the more relatively benign institution depicted in Gone with the Wind or some of the other mainstream meant-for-entertainment Hollywood films, 12 Years a Slave quickly and effectively puts such thoughts to rest.

The film, 12 Years a Slave, was directed by Black British director Steve McQueen, and adapted from the real-life account of Solomon Northup, a free Black man living in antebellum America who was kidnapped and sold into slavery. That the film springs from the narrative of Northup himself offers a fresh cinematic perspective on slavery that makes it a more powerful statement on the subject of slavery in America than perhaps any other film ever made. There is no sugar coating of the facts, and there are no “happy slaves” or kindly White masters or White mistresses here (in this film, the masters’ wives are just as, if not more, sadistic as their husbands). Instead, we are allowed to witness slavery in its raw and unmitigated horror.

Watching 12 Years a Slave, the film was triggering an uncomfortable experience for me as an African American whose ancestors endured the horrors of slavery. However, the realization of the importance of the film — this film is so necessary –gave me a compelling reason to press on. The story, the acting, the cinematography, the directing — just everything about this film — kept me riveted even in my discomfort. Flesh tears with each crack of the whip, wails pierce the air as Black mothers and their children are sold away from each other, and women look as if their very lives are being squeezed from their bodies as they are raped by their White masters.

A visual scene of people being stripped naked and examined in preparation for sale into slavery could have easily devolved into objectification of the Black actors and actresses portraying these people on screen. But, the truth of 12 Years a Slave is unabashedly on the side of the victims and survivors of slavery; and, the perspective of the film is further supported by their humanity. Skillfully and intentionally, objectification is successfully avoided. It is to director McQueen’s credit that he is able to expertly navigate such tricky terrain (How did McQueen not win the Best Director Oscar for this movie?).

Credit also goes to the incredible actors and actresses who fully embody the enslaved people they portray. All praises to Chiwetel Ejiofor for his brilliant portrayal of Northup. Ejiofor emotes loss, bewilderment, betrayal, anger, hope and hopelessness, and more with sometimes as little as a turn of his head or a shift in his gaze (How did Ejiofor not win the Best Actor Oscar for this movie?). And Lupita Nyong’o, who portrays Patsey, deserved every ounce of that golden statue she won for Best Supporting Actress on Oscar night — enough said.

The camera work in 12 Years a Slave is stunning and enhances the movie’s sense of dread. An example of such artistry is found in an extended scene of Solomon so close to death, asphyxiating, as he hangs by a noose from a tree. Solomon Northup’s feet barely touch the squishy, muddy ground beneath his hanging body as the camera alternates between close-up shots of Northup’s feet – as they struggle to gain traction on the slippery ground – and wide shots of Northup hanging while everyday life on the plantation goes on around him. Simply put, director McQueen wants us to feel uncomfortable — very uncomfortable — as we watch the everyday horrors of slavery unfold before our eyes.

With its unsparing honesty, the film 12 Years a Slave challenges us as a country to never forget about the abominations of slavery and to never forget about the Solomons and the Patseys who were forced to endure such hell. For that reason alone, 12 Years a Slave is a film that every American should see.

Check the WRL catalog for 12 Years a Slave


12 Years a Slave (2014)

Blogging for a Good Book - Mon, 2014-06-09 01:01

It is without question that slavery in America was a brutal, vicious, and inhumane institution. However, for anyone who thinks slavery was the more relatively benign institution depicted in Gone with the Wind or some of the other mainstream meant-for-entertainment Hollywood films, 12 Years a Slave quickly and effectively puts such thoughts to rest.

The film, 12 Years a Slave, was directed by Black British director Steve McQueen, and adapted from the real-life account of Solomon Northup, a free Black man living in antebellum America who was kidnapped and sold into slavery. That the film springs from the narrative of Northup himself offers a fresh cinematic perspective on slavery that makes it a more powerful statement on the subject of slavery in America than perhaps any other film ever made. There is no sugar coating of the facts, and there are no “happy slaves” or kindly White masters or White mistresses here (in this film, the masters’ wives are just as, if not more, sadistic as their husbands). Instead, we are allowed to witness slavery in its raw and unmitigated horror.

Watching 12 Years a Slave, the film was triggering an uncomfortable experience for me as an African American whose ancestors endured the horrors of slavery. However, the realization of the importance of the film — this film is so necessary –gave me a compelling reason to press on. The story, the acting, the cinematography, the directing — just everything about this film — kept me riveted even in my discomfort. Flesh tears with each crack of the whip, wails pierce the air as Black mothers and their children are sold away from each other, and women look as if their very lives are being squeezed from their bodies as they are raped by their White masters.

A visual scene of people being stripped naked and examined in preparation for sale into slavery could have easily devolved into objectification of the Black actors and actresses portraying these people on screen. But, the truth of 12 Years a Slave is unabashedly on the side of the victims and survivors of slavery; and, the perspective of the film is further supported by their humanity. Skillfully and intentionally, objectification is successfully avoided. It is to director McQueen’s credit that he is able to expertly navigate such tricky terrain (How did McQueen not win the Best Director Oscar for this movie?).

Credit also goes to the incredible actors and actresses who fully embody the enslaved people they portray. All praises to Chiwetel Ejiofor for his brilliant portrayal of Northup. Ejiofor emotes loss, bewilderment, betrayal, anger, hope and hopelessness, and more with sometimes as little as a turn of his head or a shift in his gaze (How did Ejiofor not win the Best Actor Oscar for this movie?). And Lupita Nyong’o, who portrays Patsey, deserved every ounce of that golden statue she won for Best Supporting Actress on Oscar night — enough said.

The camera work in 12 Years a Slave is stunning and enhances the movie’s sense of dread. An example of such artistry is found in an extended scene of Solomon so close to death, asphyxiating, as he hangs by a noose from a tree. Solomon Northup’s feet barely touch the squishy, muddy ground beneath his hanging body as the camera alternates between close-up shots of Northup’s feet – as they struggle to gain traction on the slippery ground – and wide shots of Northup hanging while everyday life on the plantation goes on around him. Simply put, director McQueen wants us to feel uncomfortable — very uncomfortable — as we watch the everyday horrors of slavery unfold before our eyes.

With its unsparing honesty, the film 12 Years a Slave challenges us as a country to never forget about the abominations of slavery and to never forget about the Solomons and the Patseys who were forced to endure such hell. For that reason alone, 12 Years a Slave is a film that every American should see.

Check the WRL catalog for 12 Years a Slave


Rex Stout’s Nero Wolfe mysteries

Blogging for a Good Book - Fri, 2014-06-06 01:01

Finally, for those folks who are ebook readers, I wanted to write about a great collection of older crime fiction that you can find in our ebook collection. Ebooks have allowed us to keep some titles accessible to readers even if we no longer have them in print, and that is the case with Rex Stout’s delightful Nero Wolfe series.

We currently have 35 of Stout’s mysteries in the ebook collection, ranging from Fer-de-Lance, where Stout introduced readers to the corpulent, brilliant, and massively lazy private detective Nero Wolfe and his charming, smooth-talking, and able legman, Archie Goodwin, to later tales such as Gambit and Death of a Doxy.

These are great novels for summer. They are short enough to be read in a long afternoon on the beach if you wish and they are often quite funny. The relationship between Wolfe and Goodwin moves up and down, as each one frequently is exasperated by the other’s foibles (I find myself most often siding with Archie in these situations, though your mileage may vary). But at the same time, they are fascinating portraits of a world and time gone by. They are set in New York City, and range in time from the 1930s through the early 1970s. Stout is an able guide into the world of brownstones, automats, and dance halls, and he has an understanding of both high and lowlife. Stout also frequently pulls the social issues of the day into his stories, adding an extra element of appeal.

Not all of these stories are great mysteries, sometimes the plots can seem a bit contrived, but that’s true of lots of mystery writers, both classic and contemporary. What keeps me coming back to these novels is the opportunity to spend time with the characters. Whether it is walking the streets of New York with Archie, cooking up a great meal with Fritz Brenner, feeling Inspector Cramer’s frustration with private detectives, or enjoying Wolfe’s outsized ego and mannerisms (or his love of orchids), time spent with a Rex Stout novel is always a joy.

Check the WRL catalog for the ebook versions of Rex Stout’s Nero Wolfe mysteries


Rex Stout’s Nero Wolfe mysteries

Blogging for a Good Book - Fri, 2014-06-06 01:01

Finally, for those folks who are ebook readers, I wanted to write about a great collection of older crime fiction that you can find in our ebook collection. Ebooks have allowed us to keep some titles accessible to readers even if we no longer have them in print, and that is the case with Rex Stout’s delightful Nero Wolfe series.

We currently have 35 of Stout’s mysteries in the ebook collection, ranging from Fer-de-Lance, where Stout introduced readers to the corpulent, brilliant, and massively lazy private detective Nero Wolfe and his charming, smooth-talking, and able legman, Archie Goodwin, to later tales such as Gambit and Death of a Doxy.

These are great novels for summer. They are short enough to be read in a long afternoon on the beach if you wish and they are often quite funny. The relationship between Wolfe and Goodwin moves up and down, as each one frequently is exasperated by the other’s foibles (I find myself most often siding with Archie in these situations, though your mileage may vary). But at the same time, they are fascinating portraits of a world and time gone by. They are set in New York City, and range in time from the 1930s through the early 1970s. Stout is an able guide into the world of brownstones, automats, and dance halls, and he has an understanding of both high and lowlife. Stout also frequently pulls the social issues of the day into his stories, adding an extra element of appeal.

Not all of these stories are great mysteries, sometimes the plots can seem a bit contrived, but that’s true of lots of mystery writers, both classic and contemporary. What keeps me coming back to these novels is the opportunity to spend time with the characters. Whether it is walking the streets of New York with Archie, cooking up a great meal with Fritz Brenner, feeling Inspector Cramer’s frustration with private detectives, or enjoying Wolfe’s outsized ego and mannerisms (or his love of orchids), time spent with a Rex Stout novel is always a joy.

Check the WRL catalog for the ebook versions of Rex Stout’s Nero Wolfe mysteries


Nobody’s Fool, by Richard Russo

Blogging for a Good Book - Thu, 2014-06-05 01:01

I have written before about Richard Russo, but I wanted to come back to one of his earlier books that would be a great summer reading choice. Russo’s Nobody’s Fool, tells the story of Donald “Sully” Sullivan. He is an aging, unemployed construction worker, with a bad knee, living in a declining town in upstate New York. Bad luck seems to follow Sully like a cloud; his father was a bully, his marriage failed, he has a poor relationship with his son, and money is increasingly scarce. But as you read the novel you have to ask: Is it his luck or his decisions that are bad?

Russo clearly understands, and writes thoughtfully and compassionately about, the concerns and lives of people on the margins of society. It can be all too easy to look at someone down on their luck and write them off as a lost cause. Russo never does that; rather, he asks us to see the human-ness in each of his characters and to respond to them, both their good and their bad sides.

Nobody’s Fool features a wide cast of characters with whom the reader can feel a connection, and Russo uses that connection to draw the reader into the story. There is a lot of humor here, and Russo’s complex novel is filled with eccentric characters. But the humor is leavened by Russo’s exploration of the roots of Sully’s current problems, particularly his terrible relationship with his father. The past seems inescapable. Nonetheless, there is a sense of redemption in the novel, and Russo has a clear affection for his characters, especially Sully.

Readers who enjoy thoughtful novels about the human condition will certainly find a great deal to enjoy in Richard Russo’s work, and particularly in Nobody’s Fool.

Check the WRL catalog for Nobody’s Fool


Nobody’s Fool, by Richard Russo

Blogging for a Good Book - Thu, 2014-06-05 01:01

I have written before about Richard Russo, but I wanted to come back to one of his earlier books that would be a great summer reading choice. Russo’s Nobody’s Fool, tells the story of Donald “Sully” Sullivan. He is an aging, unemployed construction worker, with a bad knee, living in a declining town in upstate New York. Bad luck seems to follow Sully like a cloud; his father was a bully, his marriage failed, he has a poor relationship with his son, and money is increasingly scarce. But as you read the novel you have to ask: Is it his luck or his decisions that are bad?

Russo clearly understands, and writes thoughtfully and compassionately about, the concerns and lives of people on the margins of society. It can be all too easy to look at someone down on their luck and write them off as a lost cause. Russo never does that; rather, he asks us to see the human-ness in each of his characters and to respond to them, both their good and their bad sides.

Nobody’s Fool features a wide cast of characters with whom the reader can feel a connection, and Russo uses that connection to draw the reader into the story. There is a lot of humor here, and Russo’s complex novel is filled with eccentric characters. But the humor is leavened by Russo’s exploration of the roots of Sully’s current problems, particularly his terrible relationship with his father. The past seems inescapable. Nonetheless, there is a sense of redemption in the novel, and Russo has a clear affection for his characters, especially Sully.

Readers who enjoy thoughtful novels about the human condition will certainly find a great deal to enjoy in Richard Russo’s work, and particularly in Nobody’s Fool.

Check the WRL catalog for Nobody’s Fool


The Campus Trilogy, by David Lodge

Blogging for a Good Book - Wed, 2014-06-04 01:01

I last wrote about David Lodge in 2009 when I reviewed his novel Deaf Sentence. Looking around in a bookstore recently I came across a new edition that collects my three favorite Lodge novels of academia. So with college graduations so recently in mind these seemed like a great summer reading opportunity. The Campus Trilogy, collects Changing Places, Small World, and Nice Work, which are three of the funniest and most pointed satires of campus and academic life I have ever read.

Changing Places introduces the reader to Morris Zapp, all-star American professor in the English Department of the State University of Euphoria in California and to Phillip Swallow, a somewhat less successful professor at the University of Rummidge, in England. The two are part of an exchange programs and as we meet them, they are on passing flights over the Atlantic, heading for a six-month teaching position at each others’ campus. The campus turmoil of 1969 affords Lodge a lot of targets for satire, and he makes the most of them. But it is not all barbs. There is a lot of humor here that is not pointed and sharp, and the responses of both Zapp and Swallow to their new situations raise some interesting questions about the human condition.

Lodge followed this novel with Small World, a raucous novel set at a variety of literature conferences, and featuring many of the characters from Changing Places. Zapp and Swallow are back, as are their wives, and a host of new, and equally superb, characters from English departments around the world. Lodge is playing with romance and the Grail legend here, as one of the main story lines follows the romantic aspirations of Persse McGarrigle, a poet and lecturer at the fictional Limerick University, Ireland. Despite the complex plot and almost Russian-novel cast of characters, Lodge pulls all the strings together at the end with all the main characters attending the annual Modern Language Association conference in New York.

The final novel in the series, Nice Work, is more of a stand-alone work, though it is set at the University of Rummidge, where Swallow is heading up the English Department, and Morris Zapp does make an appearance. Here, Lodge takes a narrower focus though, following the lives of Victor Wilcox, Managing Director at a local engineering firm, and Rummidge U. professor Robyn Penrose, a feminist scholar, who is assigned to shadow Wilcox as part of a university project to better understand the commercial world. Lodge wields a gentler pen here, though there the satire is still amply present. The novel does raise questions about how we talk to each other, and what the role of the university is in the modern world, a debate that continues to be timely in this ear of budget cuts and calls for more oversight of colleges and universities.

All together, Lodge’s three novels make a delightful, humorous, and thoughtful summer reading opportunity.

Check the WRL catalog for The Campus Trilogy


The Campus Trilogy, by David Lodge

Blogging for a Good Book - Wed, 2014-06-04 01:01

I last wrote about David Lodge in 2009 when I reviewed his novel Deaf Sentence. Looking around in a bookstore recently I came across a new edition that collects my three favorite Lodge novels of academia. So with college graduations so recently in mind these seemed like a great summer reading opportunity. The Campus Trilogy, collects Changing Places, Small World, and Nice Work, which are three of the funniest and most pointed satires of campus and academic life I have ever read.

Changing Places introduces the reader to Morris Zapp, all-star American professor in the English Department of the State University of Euphoria in California and to Phillip Swallow, a somewhat less successful professor at the University of Rummidge, in England. The two are part of an exchange programs and as we meet them, they are on passing flights over the Atlantic, heading for a six-month teaching position at each others’ campus. The campus turmoil of 1969 affords Lodge a lot of targets for satire, and he makes the most of them. But it is not all barbs. There is a lot of humor here that is not pointed and sharp, and the responses of both Zapp and Swallow to their new situations raise some interesting questions about the human condition.

Lodge followed this novel with Small World, a raucous novel set at a variety of literature conferences, and featuring many of the characters from Changing Places. Zapp and Swallow are back, as are their wives, and a host of new, and equally superb, characters from English departments around the world. Lodge is playing with romance and the Grail legend here, as one of the main story lines follows the romantic aspirations of Persse McGarrigle, a poet and lecturer at the fictional Limerick University, Ireland. Despite the complex plot and almost Russian-novel cast of characters, Lodge pulls all the strings together at the end with all the main characters attending the annual Modern Language Association conference in New York.

The final novel in the series, Nice Work, is more of a stand-alone work, though it is set at the University of Rummidge, where Swallow is heading up the English Department, and Morris Zapp does make an appearance. Here, Lodge takes a narrower focus though, following the lives of Victor Wilcox, Managing Director at a local engineering firm, and Rummidge U. professor Robyn Penrose, a feminist scholar, who is assigned to shadow Wilcox as part of a university project to better understand the commercial world. Lodge wields a gentler pen here, though there the satire is still amply present. The novel does raise questions about how we talk to each other, and what the role of the university is in the modern world, a debate that continues to be timely in this ear of budget cuts and calls for more oversight of colleges and universities.

All together, Lodge’s three novels make a delightful, humorous, and thoughtful summer reading opportunity.

Check the WRL catalog for The Campus Trilogy


Sweet Thunder, by Ivan Doig

Blogging for a Good Book - Tue, 2014-06-03 01:01

When we last saw Morrie Morgan in Butte Montana, he had turned down a job with Anaconda Copper and instead was working at the town library and becoming increasingly caught up in union activities and in the life of Grace Faraday, a miner’s widow who runs a boarding house. See Andrew’s review of Work Song for more details. Now a year and a bit has past, and Morrie and Grace are wed and coming back to Butte from their honeymoon.

While on that trip, Grace and Morrie received word that Morrie’s former boss, Samuel Sandison, “cattle king turned vigilante turned bookman turned city librarian,” has deeded the pair his mansion, only Sandison comes with it. In other news, Morrie’s job as assistant librarian has fallen victim to budget cuts, and relations between Anaconda and the miners’ union have continued to deteriorate. The job part is eased somewhat when Morrie takes a position as editorial writer for the new union paper, the only one not controlled by the copper company. With a team that includes a longtime newsman, one of Morrie’s students from his early days as a teacher in Butte, and a bunch of newsboys from the reform school, Morrie leads the charge against Anaconda.

In all of his fiction, Doig writes with great sympathy about characters that he clearly loves. That is nowhere more clear than here in his portraits of the miners and their supporters, the newspaper men and women, and the townsfolk of Butte. So if you have an interest in western history, the labor movement, newspapers, or just an affection for great characters and lovely writing you will find something of interest here. Make sure to add Sweet Thunder to your summer reading list. After all, any book that ends up with the hero being named city librarian is worth a read.

Check the WRL catalog for Sweet Thunder


Sweet Thunder, by Ivan Doig

Blogging for a Good Book - Tue, 2014-06-03 01:01

When we last saw Morrie Morgan in Butte Montana, he had turned down a job with Anaconda Copper and instead was working at the town library and becoming increasingly caught up in union activities and in the life of Grace Faraday, a miner’s widow who runs a boarding house. See Andrew’s review of Work Song for more details. Now a year and a bit has past, and Morrie and Grace are wed and coming back to Butte from their honeymoon.

While on that trip, Grace and Morrie received word that Morrie’s former boss, Samuel Sandison, “cattle king turned vigilante turned bookman turned city librarian,” has deeded the pair his mansion, only Sandison comes with it. In other news, Morrie’s job as assistant librarian has fallen victim to budget cuts, and relations between Anaconda and the miners’ union have continued to deteriorate. The job part is eased somewhat when Morrie takes a position as editorial writer for the new union paper, the only one not controlled by the copper company. With a team that includes a longtime newsman, one of Morrie’s students from his early days as a teacher in Butte, and a bunch of newsboys from the reform school, Morrie leads the charge against Anaconda.

In all of his fiction, Doig writes with great sympathy about characters that he clearly loves. That is nowhere more clear than here in his portraits of the miners and their supporters, the newspaper men and women, and the townsfolk of Butte. So if you have an interest in western history, the labor movement, newspapers, or just an affection for great characters and lovely writing you will find something of interest here. Make sure to add Sweet Thunder to your summer reading list. After all, any book that ends up with the hero being named city librarian is worth a read.

Check the WRL catalog for Sweet Thunder


The Bear Went Over the Mountain, by William Kotzwinkle

Blogging for a Good Book - Mon, 2014-06-02 01:01

As summer approaches, lots of folks are looking for something fun to read while vacationing on the beach or at the lake or just sitting on the back porch. There will be lots of big novels coming out and being heavily promoted this summer, as always, but rather than following the crowd, why not set your own trends and read some great midlist or older titles. You won’t have to worry about getting on the holds list for these books, and who knows, you might create some new demand for these worthy authors. This week’s posts will look at some great fiction that deserves re-discovery.

For those readers who enjoy a healthy amount of satirical humor, The Bear Went Over the Mountain by William Kotzwinkle is a good choice. Kotzwinkle’s book is a biting send up of the pretensions of the literary world. The Bear Went Over the Mountain contains scenes that will have you laughing out loud, but at the same time they will make you pause and think. Kotzwinkle, like any great satirist, uses his humor to question the values and beliefs of contemporary society.

This story deftly mixes fantasy and reality as Kotzwinkle tells the tale of Hal, a bear who comes across a buried manuscript novel while looking for food. Not your normal bear, Hal decides to put on a suit, and take the manuscript in to town, where he proceeds to become a publishing sensation. The actual author of the novel, Professor Arthur Bramhall, is traumatized by the theft of his story, and he becomes more and more bear-like as the story progresses. OK, it sounds a bit over the top perhaps, but what is summer for if not exploring new paths in your reading? Besides, Kotzwinkle pulls off his high concept with aplomb.

Kotzwinkle applies his sharp eye and his keen wit to the publishing industry, which is centered around the search for the next big seller, regardless of its literary merit, or the species of its author. People see what they want to see, and with eyes blinded by dollar signs, their vision is often poor at best. With courtroom drama and even a visit to the White House, the story moves briskly along, and offers a great blend of humor and thoughtfulness.

Check the WRL catalog for The Bear Went Over the Mountain

 


The Bear Went Over the Mountain, by William Kotzwinkle

Blogging for a Good Book - Mon, 2014-06-02 01:01

As summer approaches, lots of folks are looking for something fun to read while vacationing on the beach or at the lake or just sitting on the back porch. There will be lots of big novels coming out and being heavily promoted this summer, as always, but rather than following the crowd, why not set your own trends and read some great midlist or older titles. You won’t have to worry about getting on the holds list for these books, and who knows, you might create some new demand for these worthy authors. This week’s posts will look at some great fiction that deserves re-discovery.

For those readers who enjoy a healthy amount of satirical humor, The Bear Went Over the Mountain by William Kotzwinkle is a good choice. Kotzwinkle’s book is a biting send up of the pretensions of the literary world. The Bear Went Over the Mountain contains scenes that will have you laughing out loud, but at the same time they will make you pause and think. Kotzwinkle, like any great satirist, uses his humor to question the values and beliefs of contemporary society.

This story deftly mixes fantasy and reality as Kotzwinkle tells the tale of Hal, a bear who comes across a buried manuscript novel while looking for food. Not your normal bear, Hal decides to put on a suit, and take the manuscript in to town, where he proceeds to become a publishing sensation. The actual author of the novel, Professor Arthur Bramhall, is traumatized by the theft of his story, and he becomes more and more bear-like as the story progresses. OK, it sounds a bit over the top perhaps, but what is summer for if not exploring new paths in your reading? Besides, Kotzwinkle pulls off his high concept with aplomb.

Kotzwinkle applies his sharp eye and his keen wit to the publishing industry, which is centered around the search for the next big seller, regardless of its literary merit, or the species of its author. People see what they want to see, and with eyes blinded by dollar signs, their vision is often poor at best. With courtroom drama and even a visit to the White House, the story moves briskly along, and offers a great blend of humor and thoughtfulness.

Check the WRL catalog for The Bear Went Over the Mountain

 


Rat Queens Vol 1: Sass and Sorcery, by Kurtis J. Wiebe and Roc Upchurch

Blogging for a Good Book - Fri, 2014-05-30 01:01

If you liked Lord of the Rings, but wished there were more sassy, kick-butt female fighters, snag this book and dive in. This first book collects #1-5 in a series that has refreshingly strong, unrepentant, female characters that are taken straight from fantasy convention but with some definite twists.

Palisade is protected by several mercenary groups in addition to their local guard units. One of these groups, called The Rat Queens, is comprised of four females: Hannah, an Elven Mage, Violet, a Dwarven fighter, Betty, a Smidgen Thief, and Dee, a Human who can cast healing spells. They are a mix of races, sizes, and personalities that are distinct and not two dimensional. They love fighting, drinking, rabble rousing, and money, all in equal measure. They have a strong sense of who they are and they make no apologies.

This is no origin story, so we join the group right before they are sent off on a quest to help clean out a goblin threat just outside the village. You immediately feel like you know these women and have been following their story forever. Their banter throughout the book is amusing and familiar to anyone who has those couple close friends who they can say anything around. These women are not in competition with each other, and any little friendly squabbles are quickly dropped as they team up to face whatever threat comes their way. They’re not perfect, and they do get hurt, but the fight scenes are fast paced and not overly dramatic.

This first volume was published in March 2014, and I eagerly await whatever comes next for these women. One thing I know for sure, it will be a party!

Recommended for readers who like strong female characters, fantasy, and a lot of fun.

Search the catalog for Rat Queens.


Rat Queens Vol 1: Sass and Sorcery, by Kurtis J. Wiebe and Roc Upchurch

Blogging for a Good Book - Fri, 2014-05-30 01:01

If you liked Lord of the Rings, but wished there were more sassy, kick-butt female fighters, snag this book and dive in. This first book collects #1-5 in a series that has refreshingly strong, unrepentant, female characters that are taken straight from fantasy convention but with some definite twists.

Palisade is protected by several mercenary groups in addition to their local guard units. One of these groups, called The Rat Queens, is comprised of four females: Hannah, an Elven Mage, Violet, a Dwarven fighter, Betty, a Smidgen Thief, and Dee, a Human who can cast healing spells. They are a mix of races, sizes, and personalities that are distinct and not two dimensional. They love fighting, drinking, rabble rousing, and money, all in equal measure. They have a strong sense of who they are and they make no apologies.

This is no origin story, so we join the group right before they are sent off on a quest to help clean out a goblin threat just outside the village. You immediately feel like you know these women and have been following their story forever. Their banter throughout the book is amusing and familiar to anyone who has those couple close friends who they can say anything around. These women are not in competition with each other, and any little friendly squabbles are quickly dropped as they team up to face whatever threat comes their way. They’re not perfect, and they do get hurt, but the fight scenes are fast paced and not overly dramatic.

This first volume was published in March 2014, and I eagerly await whatever comes next for these women. One thing I know for sure, it will be a party!

Recommended for readers who like strong female characters, fantasy, and a lot of fun.

Search the catalog for Rat Queens.


WE3, by Grant Morrison and Frank Quitely

Blogging for a Good Book - Thu, 2014-05-29 01:01

Positive that the war of the future should not require human casualties, Air Force researchers have been working on machines that will do the fighting in the human’s stead. But these fighters are not purely metal, they are cyborgs: coats of armor attached to implants in an animal. The three original prototypes consist of a dog, a cat, and a rabbit. Named 1, 2, and 3, together they comprise WE3. Each possesses skills that are reflective of their host animal and working together as a team they are dynamic and fearsome. As weapons, they are ruthless and programmable, but also maintain some autonomy.

I had seen this book several times, but was initially turned off by the front picture of the three animals in their mechanical suits. Convinced that it was just another book full of big robot battles and not much depth, I was judging a book by its cover and was completely wrong about the story. For at the heart of the plot, and of the suits, are the three animals. This is horror, but the terror comes not from the copious amounts of blood sprayed around the dark pages or the shock of sudden violent deaths, but rather from the slow-building dismay and revulsion you experience as the contrast between the past lives of the animals as beloved companions and their current weaponized state gains clarity. Three separate Lost Animal posters are scattered through the first part of the book, and the distress over their missing animals by their owners is conveyed in heartbreaking fashion through the personal photos that are attached and especially, in the case of the rabbit, by the childish scrawls of the unhappy young owners.

The innocence of the animals, with their vague memories of a faraway place called “home,” and their strong will to survive and be safe, clash against the efforts of the humans who are convinced that they need to be decommissioned and destroyed. At the back of the story is an examination of the morality of war and the struggle to face the ethics of what science has so ruthlessly created.

Gripping, atmospheric, and unsettling, this is a story which will stay with you for a while after you have read it.

Recommended for readers of graphic novels and horror.

Search the catalog for WE3.


WE3, by Grant Morrison and Frank Quitely

Blogging for a Good Book - Thu, 2014-05-29 01:01

Positive that the war of the future should not require human casualties, Air Force researchers have been working on machines that will do the fighting in the human’s stead. But these fighters are not purely metal, they are cyborgs: coats of armor attached to implants in an animal. The three original prototypes consist of a dog, a cat, and a rabbit. Named 1, 2, and 3, together they comprise WE3. Each possesses skills that are reflective of their host animal and working together as a team they are dynamic and fearsome. As weapons, they are ruthless and programmable, but also maintain some autonomy.

I had seen this book several times, but was initially turned off by the front picture of the three animals in their mechanical suits. Convinced that it was just another book full of big robot battles and not much depth, I was judging a book by its cover and was completely wrong about the story. For at the heart of the plot, and of the suits, are the three animals. This is horror, but the terror comes not from the copious amounts of blood sprayed around the dark pages or the shock of sudden violent deaths, but rather from the slow-building dismay and revulsion you experience as the contrast between the past lives of the animals as beloved companions and their current weaponized state gains clarity. Three separate Lost Animal posters are scattered through the first part of the book, and the distress over their missing animals by their owners is conveyed in heartbreaking fashion through the personal photos that are attached and especially, in the case of the rabbit, by the childish scrawls of the unhappy young owners.

The innocence of the animals, with their vague memories of a faraway place called “home,” and their strong will to survive and be safe, clash against the efforts of the humans who are convinced that they need to be decommissioned and destroyed. At the back of the story is an examination of the morality of war and the struggle to face the ethics of what science has so ruthlessly created.

Gripping, atmospheric, and unsettling, this is a story which will stay with you for a while after you have read it.

Recommended for readers of graphic novels and horror.

Search the catalog for WE3.


Heart Transplant, by Andrew Vachss and Frank Caruso

Blogging for a Good Book - Wed, 2014-05-28 01:01

Heart Transplant is a story about bullying that is both engrossing and heartwarming. In the opening narration, a kid named Sean takes down the movie clichés about high school life, where outsiders are able to rise above their social position when the popular kids realize they are a beautiful swan instead of an ugly duckling, or the beautiful girl learns about how great the nerd is on the inside and rejects her jock boyfriend. Sean is an outsider, and as such he is ignored by the more popular kids unless it is convenient for them to notice him. “The only time anyone ever saw us was when they needed someone to make themselves look big. By making us small.”

Sean is from a terrible, broken home. His mother has had a steady stream of live-in boyfriends, each of which she has insisted that Sean call “Daddy.” Her latest one, Brian, is vicious when he is drunk, which ends up being most of the time. Sean’s mother offers no protection from her boyfriend’s beatings. When she isn’t otherwise occupied, she takes her swings at Sean too. With no friends and rejected at home, Sean lives a sad existence.

When a drug deal by Brian goes bad, Sean comes home to two bodies. Before a social worker can take him off to a foster home, Brian’s father comes by the house and, seeing the child sitting alone, offers to take Sean in. Pop gives Sean what he has never had before: a home, with unconditional acceptance and protection. Living in a loving and supportive environment for the first time in his life, Sean begins to blossom.

But like many people, Sean begins to have problems in Junior High, despite his high grades. As kids begin to coagulate into social groups, Sean finds he doesn’t really belong anywhere. He’s different, the kind of person who gets rejected by every other group. When Sean gets picked on, everybody laughs. Ashamed to let Pop know what is happening, he tries to hide his bruises, but the old man isn’t so easily fooled. A problem that faces a child is a problem that faces their parent as well, and Pop is going to make sure that Sean has the skills to deal with this, and other challenges in life.

Recommended for young adults, their parents, and readers of graphic novels.

Search the catalog for Heart Transplant.


Heart Transplant, by Andrew Vachss and Frank Caruso

Blogging for a Good Book - Wed, 2014-05-28 01:01

Heart Transplant is a story about bullying that is both engrossing and heartwarming. In the opening narration, a kid named Sean takes down the movie clichés about high school life, where outsiders are able to rise above their social position when the popular kids realize they are a beautiful swan instead of an ugly duckling, or the beautiful girl learns about how great the nerd is on the inside and rejects her jock boyfriend. Sean is an outsider, and as such he is ignored by the more popular kids unless it is convenient for them to notice him. “The only time anyone ever saw us was when they needed someone to make themselves look big. By making us small.”

Sean is from a terrible, broken home. His mother has had a steady stream of live-in boyfriends, each of which she has insisted that Sean call “Daddy.” Her latest one, Brian, is vicious when he is drunk, which ends up being most of the time. Sean’s mother offers no protection from her boyfriend’s beatings. When she isn’t otherwise occupied, she takes her swings at Sean too. With no friends and rejected at home, Sean lives a sad existence.

When a drug deal by Brian goes bad, Sean comes home to two bodies. Before a social worker can take him off to a foster home, Brian’s father comes by the house and, seeing the child sitting alone, offers to take Sean in. Pop gives Sean what he has never had before: a home, with unconditional acceptance and protection. Living in a loving and supportive environment for the first time in his life, Sean begins to blossom.

But like many people, Sean begins to have problems in Junior High, despite his high grades. As kids begin to coagulate into social groups, Sean finds he doesn’t really belong anywhere. He’s different, the kind of person who gets rejected by every other group. When Sean gets picked on, everybody laughs. Ashamed to let Pop know what is happening, he tries to hide his bruises, but the old man isn’t so easily fooled. A problem that faces a child is a problem that faces their parent as well, and Pop is going to make sure that Sean has the skills to deal with this, and other challenges in life.

Recommended for young adults, their parents, and readers of graphic novels.

Search the catalog for Heart Transplant.


CHEW Volume 1, by John Layman and Rob Guillory

Blogging for a Good Book - Tue, 2014-05-27 01:01

Tony Chu is a detective for the Philadelphia Police Department. He’s skinny, but for good reason. Tony is a cibopathic: a person who can see the past of every food he eats. For fruits and vegetables, that’s not so bad, but for meat it is another matter. The only food he can eat without distraction is beets, so he eats a lot of them. In the alternative world he lives in, all poultry products have been banned after bird flu killed over 23 million people. Tony and his partner track down black market chicken distributors and buyers like our police forces go after drug lords.

While trying to do a major bust, Tony accidentally ingests some soup that the chef bled into while cutting the vegetables. His powers make him aware that the chef is actually a serial murderer with thirteen victims. In his quest to find out more information about the murdered girls, Tony is caught chewing on the body of the now dead chef, which understandably leads to his getting fired by the police department. But he gets noticed by agents of the now very powerful FDA, who are very interested in using his gifts to solve murders as part of their Special Crimes Unit.

Here’s the biggest part of the storyline you have to swallow (groan!): Tony must consume parts of the people who have been murdered in order to gain clues. And not all bodies are fresh (or human) either. If you can get past the disturbing nature of this item, the story continues in a lively manner, drawing you in before you realize it. It’s partly absurd comedy, partly cop procedural, partly adventure, partly horror, and all entertainment.

Winner of both Harvey and Eisner awards, this series is bizarre but compelling and enjoyable. It is recommended for readers of horror, humor, and graphic novels.

Search the catalog for CHEW.


CHEW Volume 1, by John Layman and Rob Guillory

Blogging for a Good Book - Tue, 2014-05-27 01:01

Tony Chu is a detective for the Philadelphia Police Department. He’s skinny, but for good reason. Tony is a cibopathic: a person who can see the past of every food he eats. For fruits and vegetables, that’s not so bad, but for meat it is another matter. The only food he can eat without distraction is beets, so he eats a lot of them. In the alternative world he lives in, all poultry products have been banned after bird flu killed over 23 million people. Tony and his partner track down black market chicken distributors and buyers like our police forces go after drug lords.

While trying to do a major bust, Tony accidentally ingests some soup that the chef bled into while cutting the vegetables. His powers make him aware that the chef is actually a serial murderer with thirteen victims. In his quest to find out more information about the murdered girls, Tony is caught chewing on the body of the now dead chef, which understandably leads to his getting fired by the police department. But he gets noticed by agents of the now very powerful FDA, who are very interested in using his gifts to solve murders as part of their Special Crimes Unit.

Here’s the biggest part of the storyline you have to swallow (groan!): Tony must consume parts of the people who have been murdered in order to gain clues. And not all bodies are fresh (or human) either. If you can get past the disturbing nature of this item, the story continues in a lively manner, drawing you in before you realize it. It’s partly absurd comedy, partly cop procedural, partly adventure, partly horror, and all entertainment.

Winner of both Harvey and Eisner awards, this series is bizarre but compelling and enjoyable. It is recommended for readers of horror, humor, and graphic novels.

Search the catalog for CHEW.