Jeanette shares this review:
Sometimes, I come across a book that I immediately determine to read. Winter’s End was one of these. The gloomy cover with the solitary hooded character in a wintry landscape, a slight splattering of blood across the top, made this book irresistible. Novels in which seemingly powerless characters do their best to survive and bring down an unjust authoritarian regime are among my favorites. I figured that since it was originally in French and translated into English, it might be a story of broad appeal.
Helen and Milena are orphaned teenagers at a prison-like all-girl boarding school during the oppressive reign of the Phalange. Helen’s depression gets the best of her, so she requests a visit to her assigned consoler, and names Milena as her companion. The girls will be allowed out of the school for three hours. If they do not come back in time, another student, Catharina Pancek, will be punished by being placed in isolation until the girls return.
On their way to the consolers’ houses, Helen and Milena meet two students from the boys’ school, Milos and Bartolomeo. The four exchange names and construct a way to keep in touch by sending notes through the Skunk, a man who takes care of laundry for both the boys’ and the girls’ schools.
Consoler Paula and her little boy Octavo are the closest thing to a family Helen has known. They welcome Helen into their home for a few hours. Octavo shows her his homework while Paula fixes hot chocolate and delicious baked potatoes. When Helen’s visit is over, she goes to meet Milena. Instead of her friend, she finds a note saying, “Helen, I’m not going back to school. Don’t worry. I’m all right. Ask Catharina Pancek to forgive me. Milena. (Please don’t hate me).”
That is how the book starts. The four students escape from school, Milena and Bartolomeo together at first, followed several days later by Helen and Milos. On the run, the students learn about their parents: how and why they died and what they themselves can do to revive the dormant resistance movement against the Phalange. The story is told from multiple points of view: from Helen’s, Milena’s, Milo’s, Catharina’s, and from one of the Phalangist hunters sent to find them.
There is nothing clichéd in this book. The hunters use trained dog-men—genetic combinations more hound dog than man—that can walk upright, hunt, and use limited speech. There is a race of humans called cart-horses or horse-men, who take pride in finishing any task they’re asked to do or die trying. Milena’s beautiful singing voice plays a prominent role in the novel, as does Milos’s training and skill in Greco-Roman wrestling. It is the age-old struggle of a determined group fighting against a powerful regime, but the cold, repressive society Mourlevat has created is unique and darkly fantastical.
In reading this novel, I found myself immersed in the oppressive world Mourlevat created. I would recommend it to young adults as well as to adults who enjoy dystopic fiction but don’t require complex romantic relationships in their reading.
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Everything Goes: On Land is a thrilling and informative book about every type of machinery that moves. For example, cars, trucks, RVs, bikes, and motorcycles come alive on the pages. The book begins with more familiar vehicles that go and proceeds into more complex vehicles like trains. It features a father and a son who are learning all about things that go on land! Everything is labeled, and this book really puts the reader in the middle of a busy city! The book has large illustrations that inform the reader of the different types of parts and functions of the different objects. In addition, each page if filled top to bottom with exciting and colorful illustrations!
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The first word that comes to mind when picking up Rachel Rising is — macabre. Flipping through the matte black and white pages will guarantee a similar response. This tale is not for the faint-hearted or those who are not fans of Edgar Allan Poe.
Rachel was normal before this tale began; she had a good life with friends and a loving Aunt Johnny. Unfortunately, her luck runs out even before the beginning of this twisty tale when she wakes up in a grave . . . her own grave.
Instead of being a blue-eyed beauty, Rachel now has permanently blood-shot eyes and unnatural bruises around her throat to match. Not exactly the warm and friendly look she remembers. Further, she discovers that she’s been “dead” for a total of three days, and to top it all off, everyone keeps saying she’s not Rachel. With these elements in play, the story unfolds around Rachel’s investigation into her peculiar situation. A new woman in town hints at being the reason for Rachel’s new appearance, and suggests that they used to be friends.
The setting captures the essence of a small town, complete with the close ties and secrets that bind together the lives of those who abide there. Moore skillfully weaves an impending sense of doom over his characters’ heads. No one is safe from the strange events occurring in this town, and this is illustrated through the trouble that befalls Rachel’s friends. Regrettably, Rachel’s business could kill you or worse — bring you back from the dead.
Moore creates a suspenseful and dynamic tale that ponders the question of what happens when you die, and consequently incorporates timeless stories that encircle mankind. In fact, the wonderment of Moore’s story is that it feels timeless and as if this could happen in any town.
Fair warning: the work is not a stand-alone, so don’t stop after the first volume if you enjoy this tale. The ongoing nature of the series and the wait for the next issue are the only negative qualities — besides the amount of tragedy. Questions raised in the first volume will remain unanswered for a while. Overall, the series is worth the wait.
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The unrhymed poem that comprises the text of this book makes it unusual and refreshing. It is a toddler’s stream of consciousness narration of an outing in the stroller. It cleverly evokes toddlers’ energy, curiosity, and distractibility: “Mama unstraps my belt/I climb out/run behind/Mine/Mine!/My wheels pushing/Mama calls me/but I won’t bump/a baby/Hey baby!/Hi baby!” The watercolor and ink illustrations are appropriately imprecise. Many pictures are done from the toddler’s perspective. In one, grownup faces loom down toward the stroller. In the foreground, a pudgy hand reaches up: “I want to pinch their noses.” The toddler’s antics recall Little Mister and the Max and Ruby books. This is a must for toddler and preschool story times. The author is known primarily for her poetry for adults. The illustrator has said that she tries to sneak her cat into every book she illustrates. Can you find it in Baby Radar?
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“Witty” and “entertaining” are not words I would expect to use to describe a book mainly about resuscitation, but Shocked: Adventures in Bringing Back the Recently Dead is definitely both. Author David Casarett manages to be droll even about death: “I’m watching his respirations (nil), heart rate (zero), blood pressure (zip), and EKG tracing (flat). It’s a textbook case of someone who is undeniably and incontrovertibly deceased.”
Casarett is a medical doctor who explored historical resuscitation techniques (good and bad) and interviewed doctors, researchers, and cryogenics enthusiasts among others to bring us up to date on modern research and techniques. Laugh-aloud moments include when he tries an old resuscitation technique of lying face down on a trotting horse and nearly suffocates himself.
The book tells stories about many individual people who have been brought back for a second chance at life after being resuscitated, such as “The Ice Woman” who was submerged under ice for eighty minutes in Norway but survived. For those interested in the idea of never dying there is a section on cryogenics. Casarett’s verdict is mostly negative, because the problem with freezing a living thing is that ice damages the cells. Some animals, such as wood frogs, can manage to survive a type of freezing but “science has yet to adequately preserve anything much bigger than an acorn.”
The book is at times hilarious even as it imparts solid scientific information about things like the electrical rhythms of a beating heart. It also raises important philosophical, ethical, and even religious questions about dying and end-of-life care. Casarett concludes that resuscitation techniques have changed all of medical practice because: “The most exciting thing about this safety net is that most of us have been affected by it. If you’ve undergone any procedure as an outpatient, for instance, that procedure was possible because of advances in life-saving technology. Procedures like wisdom tooth extractions or endoscopy or even hernia repairs that used to be conducted in the operating room can now be conducted in an outpatient surgical suite.”
Shocked: Adventures in Bringing Back the Recently Dead will be a hit with readers who enjoy quirky science books like Mary Roach’s Packing for Mars or Bonk: The Curious Coupling of Science and Sex, or What If?: Serious Scientific Answers to Absurd Hypothetical Questions, by Randall Munroe.
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Jennifer D. shares this review:
Yoda was wise beyond his 900 years, but how wise is Origami Yoda? Or, perhaps more importantly, how wise is Dwight, the boy who wears the origami Yoda finger puppet and gives him his voice? Because, socially speaking, Dwight seems to be pretty inept. He is known for making a fool of himself, especially with girls, yet, when he speaks in Yoda’s voice, genius advice comes out. Could Yoda really be speaking through the puppet, or is Dwight actually a genius? Tommy and his friends are determined to thoroughly investigate the matter.
What follows is a diary entry formatted story, similar to the Diary of a Wimpy Kid books. We get stories and drawings from Tommy and his friends explaining how they have benefited from the advice of Origami Yoda. By the end of the book, you may be just as surprised with their findings as Tommy is. Don’t miss the final section of the book, where you, too, can learn how to make an Origami Yoda!
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Yesterday’s book, What If?, claims in its subtitle that it will provide answers to “Absurd Hypothetical Questions.” Science is all about hypothetical questions because scientists are always asking “Why?” about all aspects of nature and life, and then asking “What would happen if I change something?” Sometimes a question may seem absurd on the surface but the answer may provide a an interesting, profound or counter-intuitive glimpse into the nature of reality. Scientist and author Kent A. Kiehl seems to have asked, “Are psychopath’s brains different from normal people’s brains?” Being a clever scientist (and apparently a man of great persuasive powers) he took fMRI machines into prisons and concluded that “Yes, psychopath’s brain structures and functions definitely differ from normal brains.”
Kiehl has published many scientific papers, and one published a few months ago says that the abnormal brain structures associated with psychopathy can be detected in adolescence. It is not ethically clear what society can do with this information. “Psychopath” is a word used popularly to describe mentally ill people–often people the speaker doesn’t like! Before I read this book I didn’t realize that psychopathy is measured by a standardized test used by psychiatrists and psychologists with a fair degree of consistent results. Psychopaths are estimated to be less than 1% of the general population, but they may constitute up to 35% of the prison population. Obviously, not all psychopaths are criminals but a lot of criminals are psychopaths. Psychopaths can be the very bad people of popular myth and culture. Kiehl gives numerous examples of murderers and rapists who simply could not understand why their actions were bad and elicited horror and condemnation from other people (and society at large).
In the past it was very difficult to measure the internal and real-time workings of a brain. Electrical activity could give researchers an idea of what was going on but mostly functions and structures could only be measured when the brain wasn’t working, that is, after the person was dead. An fMRI (Functional Magnetic Resonance Imaging) machine can measure the blood flow in real time within a living subject, and increased blood flow means that the person is using that part of their brain. Kiehl uses this to examine how psychopath’s brains react differently to normal people’s under certain stimuli.
The Psychopath Whisperer is a great book for readers who like to explore the emerging physical and psychological reasons why people act the ways they do such as Just Babies: The Origins of Good and Evil by Paul Bloom. Fans of Oliver Sacks’ Musicophilia or Hallucinations will appreciate that Kent Kiehl also uses profiles of real people. It will be interesting if you like reading true crime books like Anne Perry and the Murder of the Century by Peter Graham. Also try it if you like fiction exploring the idea of inherited criminality, such as Defending Jacob by William Landay or The Dinner by Herman Koch.
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Although the limited number of colors used in the illustrations gives this title a dated look, it is a delightful story with distinctively stylized, amusing pictures done in heavy pen and ink. The equally amusing rhyming text describes the activities of a little boy who is good friends with the king and queen. The royal couple is constantly inviting him to join them for special occasions. His first response each time is to ask if he may bring a friend. The king and queen always graciously assure him that his friends are welcome, and so are called upon to entertain a giraffe, monkeys, lions, and other zoo animals. A similar story is Rod Campbell’s Dear Zoo. For a silly story time about animals in unusual situations for preschool children, pair this with Mercer Mayer’s There’s an Alligator Under My Bed and sing “Down by the Bay.” The illustrator, Beni Montresor, was a renowned Italian artist who received a knighthood for his work.
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In the introduction to his unexpected bestseller, author, scientist and web-comic guru Randall Munroe says “They say there are no stupid questions. That’s obviously wrong.” Working in a public library we don’t encounter stupid questions, a more accurate description may be tiring questions. What If’s questions (and answers) turn out to be neither stupid nor tiring, rather they are witty, thought provoking and often very, very funny.
Even the inside of the dust jacket is entertaining (certainly the first time I’ve ever encountered this in a book!). Munroe has drawn a map of the world, but the familiar shapes are not quite right. The key tells us it is “The World: After a portal to Mars opened at the bottom of the Marianas Trench, draining most the Oceans (sorry about that).” After the portal to Mars event there is, of course, a lot less water. There is now a West Atlantic and an East Atlantic, separated by dry land with mountains called (what else?) Atlantis. The mountainous island nation of New Zealand got a lot bigger with an entire new section labeled “Newer Zealand.”
The “Serious Scientific Answers” from the subtitle really are serious. Munroe attempts to answer questions using the best scientific knowledge currently available, and lots of scary looking math. He has a quirky style that he uses to answer some very quirky questions, such as: “How many Lego bricks would it take to build a bridge capable of carrying traffic from London to New York?” This is the sort of question my sons asked all the time growing up, but they didn’t expect (well, I didn’t give) a serious answer. For this question, Munroe gives six pages of Serious Answer, including his famous stick-figure diagrams. (You’ll have to read the book to learn how many Legos you’ll have to acquire to avoid a transatlantic plane fare).
The Absurd Hypothetical Questions can be submitted by anyone through Munroe’s extremely funny, science-based web comic xkcd. I often enjoy the comic, but I admit that some of it goes whoosh straight over my head (these seem to be the ones that my nerdy children laugh hardest at). xkcd are purported to be the only letters in the English language that can’t be pronounced as a word (although I don’t see what’s wrong with saying “Ex, Kay, See, Dee”). Even Munroe finds some of the questions so bizarre that he doesn’t answer them. Some of these get their own sections called “Weird (and Worrying) Questions from the What If? Inbox,” including examples such as, “What is the total nutritional value (calories, fat, vitamins, minerals, etc.) of the average human body?” or “Would it be possible to get your teeth to such a cold temperature that they would shatter upon drinking a hot cup of coffee?” These are not things to try at home. As Munroe says, “I like it when things catch fire and explode, which means I do not have your best interests in mind.”
What If? is a great book for science fans and is fun to browse when you’re feeling like something lighter after plowing through six-hundred page scientific behemoths like The Emperor of All Maladies: A Biography of Cancer, by Siddhartha Mukherjee or Spillover by David Quammen. The questions may be absurd as the subtitle claims, but the answers are scientific and who knows, if you buy a copy for the stocking of your family nerd, it may spark (or rekindle) a lifelong interest in science.
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Jan shares this review:
I have decided to take a risk and recommend one of my favorite books ever. It has a satisfying story, strong characters who are learning about themselves, magic and magical creatures, a magnificent horse, evil elderly relatives, a castle, and children who are better people than the adults around them. How could any book need more? In fact, my enduring ambition is to live in Chrestomanci Castle.
The Pinhoe Egg is shelved in the children’s section and is certainly enjoyed by children, but it is also a marvelous book for teens and adults to relish. If you guiltily enjoyed the early Harry Potter books for their humor, magic, and “Englishness” you will probably love The Pinhoe Egg and the rest of the Chrestomanci Series.
Marianne Pinhoe lives in a quiet English country village. The school holidays are starting and she is looking forward to having free time and working on her story about romantic Princess Irene. Unfortunately for Marianne, her family has other plans. Marianne is to run errands for her ailing grandmother, Gamma, while her older brother Joe is to go to work as a boot boy at nearby Chrestomanci Castle and report back what he learns (to spy, in other words!). On Marianne’s very first morning at Gamma’s house things start to fall apart as the old woman is visited by members of the Farley family from the next village and Marianne’s Gamma appears to go mad. The entire, overwhelming, extended family gather round to look after the old woman and decide that they need to clear out her house to sell. The attics are forgotten, and one day in search of Gamma’s constantly straying cat, Nutcase, Marianne discovers a strange spherical object covered with strong “don’t notice” spells. Thinking that it is useless, Marianne gives it to Eric Chant (or Cat) from the Castle, unknowingly betraying her family’s Sacred Trust. What is the spherical object? Could it be an egg? And what is the Sacred Trust and has Marianne done a bad thing in breaking it, as her father says, or a good thing as the people at the Castle claim?
(Note that the object is clearly described as round and mauve with speckles, and not gold and hen’s-egg shaped as it is shown on this cover.)
This book can be enjoyed on its own, but readers of Diana Wynne Jone’s other Chrestomanci books will recognize plenty of characters. I enjoy series like this which include the same characters, but are told each time from a different person’s perspective. We get to see how our favorite characters are seen by other people in other situations–sort of like seeing your teacher in their tatty track pants in the supermarket during the weekend.
Although I have read The Pinhoe Egg several times, I have just listened to it on CD during my commute. Diana Wynne Jone’s wry humor and Gerard Doyle’s engaging narration have seen me looking like a fool and laughing out loud.
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Knowing that David Quammen was such a great science writer I wanted to read his timely update about Ebola. In the introduction, Quammen acknowledges that this book is adapted from his 2012 book Spillover that I blogged about yesterday but Ebola is a much quicker read. It is still well worth reading even if you have read Spillover because of the updates. In early December as I write this, the current Ebola outbreak has killed over 6000 people (CDC – 2014 Ebola Outbreak in West Africa – Case Counts). This means that this outbreak has killed more people than all previous outbreaks combined. Quammen’s expert and readable style is very matter of fact and it paints Ebola as a terrifying and largely unknown disease, even if it doesn’t spread much to countries outside the continent of Africa. It has “a case fatality rate ranging from 60 to 75 percent. Sixty percent is extremely high for any infectious disease (except rabies); it’s probably higher, for instance, than fatalities from Bubonic plague in medieval France at the worst moments of the Black Death.”
Ebola is currently being studied furiously but there is still much that scientists don’t know. For one, they are not sure what causes “the transitory nature of the disease within human populations. It disappears entirely for years at a time. This is a mercy for public health but a constraint for science” and why “Ebola viruses barely showed themselves anywhere in Africa for fifteen years (1976-early 1980s).” Quammen concludes that “We don’t even know if the past is a reliable guide to the future–that is, to what degree history and science can illuminate the Ebola events of 2014.”
There is sobering information like, “The higher the case count goes, the greater the likelihood that Ebola virus as we know it might evolve into something better adapted to pass from human to human, something that presently exists only in our nightmares.” This is terrifying when coupled with information like “the virus was mutating prolifically and accumulating a fair degree of genetic variation as it replicated within each human case and passed from one human to another.” We can only fervently hope that Quammen’s apt metaphor doesn’t come to pass: “Every spillover is like a sweepstakes ticket… Sometimes the bettor wins big.”
Oddly, even Ebola has facts that I found quirky: apparently when an Ebola patient develops the commonly annoying but harmless condition of hiccups, it usually means death is near.
Try reading Ebola if you like the history of science and history of disease books that I mentioned yesterday. If you previously read the bestseller The Hot Zone, by Richard Preston, Ebola is a good update. Sadly, for the 6000 victims of this dread disease who have already died, and those yet to die, you may also be interested in reading Ebola: The Natural and Human History of a Deadly Virus if you want to read about the scientific background of large events in the news.
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Zoonotic diseases are in the news and the news is not good. Sixty percent of human diseases are zoonotic–that is they are spread to humans from animals (at least at first). This includes terrifying rabies that everyone knows comes from the bite of an infected animal to diseases like flu that we think of as human. The evocative title of this book, “Spillover” is the actual scientific term used by disease ecologists for the moment when a pathogen passes from members of one species into another. I like books about animals. I’m all over cute and fluffy and I’m fascinated about the role that we play in animals’ lives. Spillover is a book about the role animals play in human lives and you may not sleep peacefully after reading it.
David Quammen spent almost a decade gallivanting around the world, interviewing hundreds of scientists, doctors and disease survivors as well as researching and writing Spillover. It is almost 600 pages, but I was unable to put it down as he talked about the SARS outbreak in 2003, and the origins of AIDS and ebola. I learned an enormous amount about virology, natural history and epidemiology. And if you are obsessed and super-nerdy (like me) you will enjoy Spillover’s 25-page bibliography of scientific studies that you can look up in PubMed.
Quammen has a gift for making the scientifically complicated understandable to the everyday reader. He has a poetic turn of phrase about viruses–“They can’t run, they can’t walk, they can’t swim, they can’t crawl. They ride”–that just highlights how scary they can be. I learned odd facts for instance that certain types of moths and tent caterpillars have outbreaks on trees some years. The caterpillars die back because they are killed by viruses that cause them to ‘melt’ onto leaves, and then the other caterpillars just eat them (yuk!) Thankfully, unlike the insects, we can change our behavior to protect ourselves from viruses!
I think the best quote from Spillover sums up human knowledge and control over zoonotic diseases in general. We think we’re ahead but we might not be. When asked a lot of questions about the Hendra virus in Australia, scientists answered: “We don’t know but we’re working on it.”
Spillover is a sure bet for readers who are fascinated by the role of diseases in human history. For nonfiction readers who have tried The Ghost Map, by Steven Johnson, or Rabid: a Cultural History of the World’s Most Diabolical Virus, by Bill Wasik and Monica Murphy. Or for fans of fiction such as Year of Wonders: A Novel of the Plague, by Geraldine Brooks.
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In this tale of trickery in the Outback, Dingo catches a wombat to put in a stew. Other animals (including a platypus, an emu, and a kookaburra) hear him exulting over his prize and set out to ruin the stew before the wombat can be put in. Dingo, gleeful and clueless, readily agrees to all the suggestions for ingredients: mud, flies, gumnuts, etc. The illustrations depict these animals (who are rarely seen in picture books) fairly realistically, except for their anthropomorphized facial expressions and body language, Platypus’ hat, and Emu’s long, curly eyelashes. For storytime teach the song that Dingo repeats throughout the story: “Wombat stew,/ Wombat stew,/Gooey, brewy,/Yummy, chewy,/Wombat stew!” The simple tune is included on the final page of the book. It’s a crowd pleaser for ages four to eight and could be used with a large group. Marcia Vaughan lives on an island in Puget Sound (Washington). Pamela Lofts, an Australian author and illustrator, lived in Alice Springs, in the midst of the Australian Outback.
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Jennifer D. shares this review:
Strange things happen to Meridian Sozu. Her biggest problem does not come from boys, homework, or an unhappy family life. Her biggest problem is the fact that animals tend to drop dead around her. She believes she is causing their deaths, but in truth they just seem to find her when it is their time. Her problem was limited to animals until her sixteenth birthday. On her way home from the bus stop, a car crash occurs that kills many of her classmates. She is uninjured, but has a painful physical reaction to the event. As the strange pains send her to the brink of unconsciousness, Meridian is swept up by her parents and rushed to the bus station. This is not exactly a typical parental reaction, and it becomes clear that her mom and dad have not been entirely honest with her. They send her to live under the care of her aunt, saying that they love her, but that they will probably never see her again. Not the happiest of birthdays. But this significant birthday is the key to her new life. She is beginning to come into her powers as a Fenestra.
Your next question is bound to be the same one Meridian posed when she first heard the term…what is a Fenestra? A Fenestra is a half-angel, half-human hybrid, whose job it is to help souls cross over for the Creator. She must learn how to control her ability, or the pain she felt after the car crash will eventually kill her. Her aunt, who also happens to be a Fenestra, will train her with the assistance of a young man named Tens, who has been somehow cosmically chosen to be Meridian’s protector.
In their efforts to train Meridian, her aunt and Tens are up against a few deadlines. In addition to avoiding her own death, Meridian must learn to wield her new powers quickly to fight a new threat that is looming in town. If there are angels around to help souls cross for the Creator, there are also those whose job it is to send souls to the Destroyer, called Aternocti. They are hoping to destroy Meridian before she can fully control her powers.
A battle is looming between the Fenestra and Aternocti, and Meridian is caught in the middle. Author Amber Kizer has clearly spent much time developing the story of Meridian’s world. Meridian and the reader both learn about her abilities and the history of the Fenestra together as the story unfolds. The story is continued in the sequel, Wildcat Fireflies.
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I was up late, reading The New Annotated H.P. Lovecraft, and needed a snack before turning out the light. Lovecraft is heavy going, so I wanted something to restore my spirit: a grilled cheese sandwich. I found some Cabot’s Extra Sharp, bread, and butter, and fired up our trusty SuperLectric waffle iron. A few minutes later, the hideous excrescences of Lovecraft’s imagination were forgotten as I ate my hot, crispy, perfectly melted, dimpled grilled cheese.
Will it Waffle? has rocked my world. The waffle maker, which I used to haul out of storage on rare Sunday mornings, now lives in the middle of the kitchen counter, an essential part of my batterie de cuisine. It glorifies sandwiches, hash browns, fruit, and other things that I’d never thought to use it for. Right this very minute, I am thinking about trying waffleized churros for breakfast tomorrow.
Daniel Shumski is the genius who thought to ask, “What can I cook in a waffle iron besides waffles?” For several years, he has been blogging about his experiments in waffling, and Will It Waffle continues the project with a collection of 53 recipes. Any dish that is meant to be hot and crisp is better when cooked in a waffle iron — thanks to all that additional surface area. Ergo, waffled bacon, falafel, leftover mashed potatoes, macaroni and cheese, and stuffing. These are actually some of Shumski’s less daring dishes. If you’re a thrill seeker, try throwing a soft-shelled crab or cookie dough into your waffle maker and see what happens. The book includes a short list of foods that won’t waffle, such as soup and drinks. Beyond these liquids, almost anything goes. There’s even a section where readers are encouraged to document their own waffle experiments. The message is clear: play with your food.
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The family car; one day it’s clean and the next, the sparkle is gone. But isn’t that part of the fun? Ernst has created an entertaining tale about the family car and all that it experiences. The story starts with the father who has just finished cleaning the family van. And each following page introduces a new dynamic to the car and to the travels it takes. All too soon, the car is once again ready to be cleaned. Though, this time it is the kids turn to help.
The story is framed in a rhyme that builds on itself making each page a fun memory game. Children will be able to follow the story and repeat everything that has already happened. This allows for the reading dynamic to change into a fun sing-song activity. Those reading the story aloud are able to create a game out of the book to see what the listeners can remember, which means this book is perfect for large group reading. In a smaller setting, this book is wonderful as well. Families can read the book and enjoy parallels to their own lives and family car. Even better, children can learn how important it is to help clean up messes they make, the importance of working as a group, and most importantly how fun it can be to accomplish a goal and help their parents!
This is the Van that Dad Cleaned is great for lower elementary and preschool students who are ready for a humorous, charming, and very relatable rhyming tale.
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Jennifer D. shares this review:
It’s the first day of holiday break and Milo Pine and his parents are all but snowed in. They operate Greenglass House, an old inn known for being a smugglers haunt. Milo is excited to spend his break in the empty inn, with no guests to please and only his parents for company. Until the doorbell rings – repeatedly. Suddenly, Greenglass House is full of guests who have braved the weather to reach its halls. And they are quite the cast of characters. The Pines are accustomed to the occasional shady customer, but each of these guests is hiding something. They all claim a strange connection to Greenglass House and a desire to uncover its secrets.
As the guests settle in, several literary tropes typical of mysteries are unveiled. Valuables go missing, a treasure map is found, the power goes out, an attic of antiquities is explored, stories are told by the fire, and several guests are revealed to be in possession of a very special set of skills. For his part, Milo takes it upon himself to figure out what brought each guest to Greenglass House. These might be mystery novel standards, but they are traditional for a reason. They add to the classic feel of the novel, and give it a timeless quality.
Greenglass House is a well-crafted mystery that held great appeal for this fan of The Westing Game and Clue. Your suspicions will change as often as the doorbell rings, and this page-turner will keep you guessing until the end. Read it on a snowy winter day to feel even more immersed in the world Milford has created.
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Emily Anthes is a journalist who has written for many science journals including Wired, Discover, and Scientific American and also has a master’s degree in science writing from MIT. In this book, she explores the many ways in which animals are involved with the latest advances in biotechnology. She has a breezy, easy-to-understand writing style, and I was impressed with the breadth of her knowledge and research (includes over 40 pages of footnotes). I enjoyed reading about the specific contributions to this science that many animals like Jonathan Sealwart, an elephant seal, and Artemis the goat are making, and her visits to some of them were often quite humorous.
The production of genetically altered (transgenic) animals is perhaps the most controversial use of biotech. I was very interested in learning how some pretty-colored tropical fish won over a skeptical public in the U.S. to become the first and only transgenic animals sold in this country. These fish are called GloFish and they are derived from 2 types of tropical fish that are commonly sold in the US, zebra fish and white skirt tetras. What makes them unique is that they have an added dose of DNA from sea anemone or sea coral that make them glow in red, green and purple colors. I have enjoyed the aquarium hobby for years, and if GloFish can bring new people in to the hobby (like the author) all the better. I have also had my eye on one of the purple tetra GloFish and would like to add it to one of my aquariums. I just hope my 4 large angelfish don’t think he is a brightly colored dinner treat.
A much more promising use of these new animals is in “pharming,” where their DNA is manipulated so that their bodies can create medicinal properties. Transgenic goats can produce milk with elevated levels of lysozyme, which has been found to be an effective treatment for diarrhea, a deadly disease that kills over 2 million children every year. These goats have also been used to produce antithrombin, an anticoagulant that can successfully treat life threatening blood clots. It is unfortunate that none of these pharming techniques have been approved in the United States, though other countries like Brazil are taking the lead in this type of biotech.
I appreciated the author’s thorough review of the many ethical considerations in the use of transgenic animals and other types of biotech. She discounts the “Are we playing God” notion with these new animals by arguing that we have already tried to play God for thousands of years by manipulating the various types of animals through selective breeding. The results have not always been good, as is the case with canis lupus familiaris, the common dog, where we’ve created hundreds of unique breeds of dogs, many of which are saddled with crippling genetic diseases and conditions.
One of the most important factors to consider is how the biotech affects the livelihood of the animals involved. Bernard Rollin, a philosopher at Colorado State University considers their fate with his “conservation of welfare” ethic: “If you’re going to modify a line of animals, the resultant animals should be no worse off from a welfare point of view – and preferably better.” The author thinks that most pharming animals would be able to pass this test, since studies show that genetic alteration does little to curtail their longevity and overall health. But she gives numerous examples of transgenic animals that would fail this test, including transgenic mice produced in Chinese labs with thousands of different kinds of deformities caused by messing with one strand of their DNA.
If you read the book you will learn of other unique ways biotech is being used in the world of animals. You will learn why cats are far superior to dogs in the process of cloning. You will learn about a group of volunteers who helped design a prosthetic tail for a baby bottlenose dolphin after it got trapped and nearly died in a crab trap. And finally you will want to learn how a poor, lonely elephant seal got a name and got hundreds of friends on Facebook all through a sophisticated process of wildlife tracking.
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Barry shares this review:
This collection starts with the chilling classic “The Monkey’s Paw.” I remember reading this story as a child and it still sends a shiver up my spine now just thinking on it. Be careful what you wish for is the theme here. Moser includes stories from classic writers, among them, Arthur Conan Doyle’s, “How it Happened,” the story of a car accident and its aftermath and the old, ghostly ballad of Polly Vaughn, retold by Moser himself. But there are more contemporary tales as well. Madeline L’Engle’s “Poor Little Saturday” is an excellent story of how a lonely boy finds some surcease of sorrow as he explores a haunted mansion. Joyce Carol Oates, known for her dark adult fiction, contributes a story here, “The Others,” that in its lack of resolution is a great addition to the ghost story canon. Also of note, and both related to music, are “Samantha and the Ghost,” by Philippa Pearce, where a young girl frees her grandparents’ cottage from a ghostly visitor and H.P. Lovecraft’s “The Music of Erich Zann.”
None of the stories here is overly scary (well, maybe “The Monkey’s Paw” is for me), and a couple of them are pretty mild as far as ghost stories go by modern standards. But they are fun stories to read, and perhaps to read aloud. Moser’s illustrations add an extra frisson to the general eeriness.
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This classic tale, brought to life by husband-wife duo, was inspired by a true story from the 1950s. The happy lion of the story has been a part of children’s literature for more than 50 years and it is clear why. This is an endearing tale of a lion that has many friends when he is in his home at the zoo, yet finds his friends react differently when he takes an adventure outside of the comfort of his zoo home. Children will enjoy the wonderful images of story that feature a simple color palette and wonderful style of sketch illustrations.
Perhaps the most important aspect of the story is the great lesson children can take away from the story; to not be afraid of those who are different. The town learns to not fear the lion when a little boy approaches him and shows that the furry creature was simply looking for company and friendship. Happiness can come from the most curiously different situations and Fatio has created a story that will show readers just that.
This book is wonderful for lower and middle elementary school students. The story is simple and easy to understand with great big illustrations that are good for large or small group reading. Children will have a roaring good time with The Happy Lion!
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