Sometimes it’s good to hit the reset button. Bram Stoker didn’t invent the vampire, but he carved the archetype: a creature of power, terror, and ruthlessness hidden under a veneer of charm. Vampires have been popular recently, both in fiction and movies, but the trend has been to smooth over their edges, making them suave, stylish, even glittery, in a way that doesn’t sit well with many fans of horror.
Scott Snyder and Rafael Albuquerque decided to go back to basics. In Skinner Sweet they re-created the vampire, one who commands visceral fear, not existential angst, who is bloodthirsty, vicious, and brutal. And then they threw in a twist: their vampire would be uniquely American, born and bred in the Wild West. As such, he would not be like any of the vampires that had come before him. Unlike all the European vampires, Sweet is unaffected by exposure to the sun. As the character himself explains “Sometimes, when the blood hits someone new, from somewhere new, it makes something new. With a whole new bag of tricks.”
The first story begins in Nevada, during the construction of the Boulder Dam (now called the Hoover Dam). As the construction expands, so does the vice in nearby Las Vegas. Where there is vice and money, there is blood, and where there’s blood, there’s vampires. Sweet, living under the name Jim Smoke, is running a brothel called the Frontier. In life, Sweet was a murderer and a thief, with a knack for riling up pretty much anyone he interacts with. As a vampire, he’s even worse. When a man turns up drained of every drop of blood after dating one of Sweet’s girls, the law begins to take an interest. But do they have any idea who, or what, they are dealing with?
Pearl Jones, a vampire created by Sweet in Volume 1, is still struggling to come to terms with the consequences of her new life. Desperate to live as normally as possible, she shuns her vampire side, feeding on blood without killing. But she is forever tied to Sweet, and the people who want him dead have decided that she just might hold the key to getting rid of him for good. Pearl, along with her husband Henry, is also featured in a shorter second story in this volume. Although each of the stories has a conclusion, the reader is always somehow left feeling like none of the stories actually end. They are just pieces of a larger narrative that slowly builds with each vignette.
Snyder’s writing ratchets up the tension, and the angularity of Albuquerque’s drawings enhances the sharpness of the vampire’s bite. For the first volume, Snyder approached Stephen King with his idea for Skinner Sweet wanting a forward, but King was so enthused with the character he ended up guest writing the origin story himself, based on Snyder’s outline. If a stamp of approval from one of the biggest American horror writers wasn’t enough, American Vampire won the 2011 Eisner and Harvey Awards for Best New Series. Recommended for fans of horror and westerns.
Check the WRL catalog for American Vampire.
If you asked people what they think of when they hear the term “American mythos” many would undoubtedly call to mind Cowboys and Indians and other aspects of the Wild West, unaware of the vibrant and complex stories and traditions of Southern Folklore. Bayou is a beautifully-rendered Alice in Wonderland-style fairytale set in Mississippi during the Depression. It is a uniquely Southern world, filled with mud and Spanish moss, concurrently embracing and fighting against the legacy of slavery.
The story centers on Lee, a young black girl, who is friends with Lily, the white daughter of the woman who owns the farm where Lee and her father live. Lily is snatched and swallowed by a monster from the bayou, named Cotton-Eyed Joe, and Lee’s father makes a convenient suspect for the local law officers when she is reported missing by her mother. In an effort to get her friend back, and free her father before he gets lynched, Lee follows the monster into the brackish water, and finds herself in an alternate but parallel world. The inhabitants of this world are human-like, but their physical bodies have been replaced by various characters drawn from Southern myths. She meets Bayou, a swamp dweller who, despite his giant stature, is cowed into submission by the Bossman and his lackeys through their brutal enforcement of the law. Despite his fear, Bayou sees the need and determination of Lee to find her friend Lily and decides to help her, although not without trepidation.
Any story that starts with a lynching and exposes the varied responses of people to such brutality isn’t going to pull punches. But what is most chilling about its narrative is that Bayou doesn’t make the humans into caricatures. The people in the normal world are just that: normal. They are all believable products of their time and environments, and that is clearly reflected in the social interactions between the characters. Young and old, black and white, rich and poor, everyone seems to know who is in power and the potential consequences of any action that might upset the current balance. In the parallel world, characters are taken to their extreme with Jim Crows, Golliwogs, and Confederate officer hounds, but it’s the similarities rather than the differences between the two worlds that are most striking.
Bayou’s injections of race, religion, poverty, and the blues contribute to an important and uniquely Southern voice in fantasy and graphic novels. The storyline and imagery can be disturbing and unsettling, but these aspects give meaning and power to the book’s message. Both written and drawn by Jeremy Love, the use of color enhances the atmosphere, bathing the images in deep gold, dusky pink, and brownish-green. Recommended to readers of fantasy, graphic novels, and southern fiction.
Check the WRL catalog for Bayou
Petunia LOVES skunks and that’s what she wants, of course her parents say no and that’s when the adventure starts. Petunia tries to convince her parents how wonderful a pet skunk would be and tells them all the ways she will take care of it, but of course, they say no.
Petunia decides she can no longer live with such “mean” parents and runs away to live in the woods, she doesn’t get far before the wanted pet crosses her path and Petunia finds out why skunks do not make good pets. Petunia heads for home and decides she likes her stuffed pet skunk best but not before declaring real skunks are Awesomely Stinky!
This is a fun storytime book, I’ve used it for a mostly school aged crowd but will work for any age as long as they have some experience with Awesomely Stinky Skunks!
Check the WRL catalog for A Pet for Petunia.
I had mentioned to a friend that I hadn’t read any books by Nelson DeMille and she raved over his 1990 novel, The Gold Coast, saying it wasn’t a typical DeMille, but was the best he had written. DeMille has written several detective/espionage thrillers — and The Gold Coast doesn’t follow that type of plot. But being the best? I think that may depend on what you’re looking for in a novel.
John Sutter and his wife, Susan, are comfortable, and perhaps a bit bored, with their life on Long Island’s North Shore, an area “that once held the greatest concentration of wealth and power in America.” They live in the guest house of a 55-room mansion owned by Susan’s parents. While wealthy, they aren’t in the strata of the wealthiest, like their new neighbor, mafia don Frank Bellarosa. But they have respectability, and Frank certainly doesn’t.
Frank does have a certain dangerous appeal, and Susan and John find themselves dining with their neighbor and gradually becoming seduced by the power and charisma of the mafia don.
As John becomes more disenchanted with his “normal” life and superficial friends, he also finds himself making reckless decisions which eventually lead him to representing Frank in criminal proceedings.
There were many parts of this novel that I enjoyed.
I liked the main character, John Sutter. John has a sarcastic wit, which surprisingly doesn’t get him in trouble as often as it should. He gets away with saying what’s on his mind with seemingly no personal regrets.
I enjoyed the exciting courtroom scene toward the end of the book where John has to find where Frank is being arraigned on murder charges. There is a great back-and-forth tension between John and the Attorney General.
My favorite part of the novel is the sense of place. DeMille does a good job describing the mansions on the Gold Coast. And not just the mansions in their former glory, with the recreated libraries and Roman temples, but the reality of the abandoned homes and neglected gardens. DeMille portrays the reactions of the neighbors when these expensive historic homes are sold off for tract housing or bought by foreign investors. It was a fascinating glimpse into an unbelievably wealthy world.
We read this as a recent selection for my book group. Reactions were mixed. Some liked the book for the same reasons I did, others said the plot dragged and they found the characters unlikeable.
DeMille wrote a sequel in 2008, which picks up John, Susan, and Frank’s son Anthony a decade later. We have both The Gold Coast and The Gate House in the library collection.
Check the WRL catalog for The Gold Coast
Check the WRL catalog for sequel, The Gate House
Eula is a square cat whose shape sometimes makes her life difficult. Her favorite round skirt won’t fit, getting up after a fall isn’t easy and mouse holes are impossible. Things get so bad Eula eventually loses her purr. Enter Patsy and Maude, two round cats, who try to help Eula feel round. Eula tries hoop earrings, eating doughnuts and skipping in circles and just when she starts to feel round she tips over. “Which as you know isn’t good for a square cat.” Pick up this book at the library and find out what Patsy and Maude do to become square cats just like Eula and how Eula realizes that being square has its advantages too.
Check the WRL catalog for Square Cat.
She writes, “Prayer is talking to something or anything with which we seek union.” And whether you believe in the Christian God, or Allah, or Buddha, or Earth Mother, or some other Great Being, simple variations of these prayers cover just about every situation.
It’s hard to describe the writing in this book. It is almost a stream-of-consciousness style – thoughts and insights as well as practical advice about how we can communicate with a higher power, and why it can make us a better person to do it.
Lamott is not preachy, nor does she write exclusively for one religion over another. She doesn’t give steps to follow in order to pray the “right” prayer. Through her examples you realize she is advocating that anything goes as long as the feelings or words come from your heart.
Some thoughts from the author
Praying “Help” means that we ask that Something give us the courage to stop in our tracks right where we are, and turn our fixation away from the Gordian knot of our problems. (p. 40)
“Thanks” can be the recognition that you have been blessed mildly, or with a feeling as intense as despair at the miracle of having been spared. (p. 46)
When we are stunned to the place beyond words, when an aspect of life takes us away from being able to chip away at something until it’s down to a manageable size and then to file it nicely away, when all we can say in response is “Wow,” that’s a prayer. (p. 73)
This is a short book, easily read in one sitting. But I think you’ll find that it is better to take it in small sips. There’s a lot to absorb in these pages. I’d recommend this for discussion with a book group.
Check the WRL catalog for Help, Thanks, Wow
I have found a new series to follow in K.A. Stewart’s Jesse James Dawson novels.
Dawson is a modern day samurai, a black belt in karate. He is a husband, father, and part-time employee for a hip clothing store in the mall. But his most important job, and the one that really doesn’t pay very well, is being part of a loose organization of champions that fight demons to take back someone’s soul. How does a champion win the soul back? By negotiating a trade — take the champion’s soul in exchange for the other person’s — then fight the demon to the death. It goes without saying that the stakes are very high if you lose…
In A Devil in the Details, an aging baseball player, Nelson Kidd, makes a deal to give up his soul if he regains the skills he had as a younger ballplayer. It works, Kidd has a breakthrough season and his team makes it to the championship. But after the winning, Kidd starts to have second thoughts about what he will have to give up. Like most people, he wants to get out of his “deal with the devil.” He knows a friend of a friend who puts him in touch with Dawson.
In the midst of making the negotiations to win back Kidd’s soul… and recovering from injuries received from the previous demon battle… and dealing with the smarmy baseball agent who is trying to discredit him, Dawson learns that some of the other champions, including a close friend, have gone missing. He and all the other champions are put on alert to watch for anything unusual.
So why do it? Why put myself on the line for people I don’t know, and like even less? Because it needs to be done. It’s not even a choice for me.”
The story is fast-paced and grounded in everyday events, not a whole lot of otherworldly happenings. Sure, the demon fighting is pretty paranormal (and his wife is a practicing wiccan), but you won’t see fairies, vampires, or werewolves in this story. I found it really appealing that the good guy might be someone you might see around the neighborhood – or at the mall. Just a regular person who needs to buy his mom a birthday present…
And I didn’t see the plot twist coming. Love it when an author surprises me! Hoping the rest of the series stays true to this form.
Check the WRL catalog for A Devil in the Details
Alison Jay has managed to start with a book about colors, a beautiful book about colors, and by combining that with Mother Goose rhymes has ended up with a spectacular book you will want to read over and over again.
“Little boy Blue’s asleep in the hay. His sheep and his cow have run away.” “Poor Humpty’s purple from his fall. These men will try to mend it all.” “The Owl and the Pussycat set to sea…in a beautiful boat as green as a pea.” Each page, like the examples above, will combine a rhyme and a color and give you the chance to search for the hidden character, recall and recite the rhyme and talk about all of the other colors on the beautifully illustrated pages.
Check the WRL catalog for Red Green Blue: A First Book of Colors.
The plot synopsis sounds like the saddest story ever. Lennie and her sister Bailey were abandoned by their mother when both were quite young. They live happily with their quirky grandmother and uncle, believing that one day their mom will wander back into their lives.
Lennie is an introvert and band geek who lives in her vibrant sister’s shadow. She likens herself to the companion pony that walks beside the sleek racehorse to keep it calm before a race. And suddenly Bailey dies.
Lennie thought she was happy walking behind Bailey, letting Bailey make decisions on what to do, and now Lennie is floating through each day without that anchor.
That’s the sad part. And believe me, you’ll need to keep some tissues handy. Why put yourself through that? Because you’ll quickly come to realize Lennie is more than just Bailey’s little sister. She has to work through her grief – and reconnect with friends – and fall in love – and forgive herself for feeling happy again. But that discovery is compelling, I couldn’t wait to see what would happen next. Some of it is like watching a train wreck, but it ends in a good place (I promise!).
The coolest thing about this book is the poems and brief memories that Lennie writes on walls, paper cups, homework assignments, books, benches… These memorabilia are described every few chapters, along with where Lennie left them. How cool would it be to find a piece of someone’s life like this? It is so much more honest and revealing than “Lennie was here” or other typical graffiti.
The book is certainly worth waiting on a long hold list for — so if you can’t pick it up right away, keep it in mind once you hear the movie hype.
FYI – the movie option was purchased by Selena Gomez’s production company. The Disney star is set to play the main character, Lennie. I haven’t seen anything that gives more details than the movie is “in development.”
Check the WRL catalog for The Sky is Everywhere
One red square equals infinite possibilities. Each day of the week the square meets a different fate. It’s cut into pieces, poked full of holes, torn or snipped, and yet instead of feeling ruined it reinvents itself into something beautiful. At first glance you might think this is a book about shapes and colors and you’d be right but there is also a message about making something out of everyday difficulties. Our square is a perfect example of the “when life gives you lemons, make lemonade” philosophy. What will happen on the last day of the week when the square is left alone? Will it find one more way to reinvent itself?
You’re going to enjoy this book’s easy text, simple illustrations and eye catching colors. You may even be inspired to get a square of your own to investigate its infinite possibilities.
Check the WRL catalog for Perfect Square.
I was looking for something easy to listen to and picked up the YA book Rot & Ruin without really knowing what it was about — except that it was about zombies. I was expecting a pretty typical “run from the monsters” plot and was completely surprised by the sympathy the author evoked for the zombies. Don’t get me wrong, there’s action, plenty of “uh-oh the monsters might catch me” suspense, but I was surprised at who was the real monster.
The world has been changed by a cataclysm – some sort of medical or environmental disaster that caused some people, including Benny’s parents, to turn into zombies. And as people turned to zombies, they infected others until their sheer numbers overran cities large and small…
Groups of survivors gathered in outposts with fences and patrols to keep the zombies out. Most people don’t venture into the “great Rot & Ruin” – the zombie- infested expanse separating the outposts from each other.
That’s the post-apocalyptic world Benny Imura has grown up in. And he hates zombies with a white hot passion. His older brother, Tom, is a zombie hunter, supposedly one of the best. But Benny doubts it. His earliest memory is of Tom running away when his parents were turned to zombies. Benny hasn’t forgiven Tom for not staying to fight.
Benny goes to school and hangs out with friends. But some of Benny’s favorite times are when the “real” zombie hunters like Charlie Pink-eye and the Motor City Hammer tell stories of how they fought zoms in the Rot & Ruin. It sounds so cool when they tell the stories.
In the fall after Benny turns 15 he has to find a job or face having his rations cut. When he runs out of options, he reluctantly approaches his brother about going into the family business. But hunting zombies is not what Benny thought it would be.
There’s depth to this story, as well as lots of nail-biting tension and some really heart-wrenching revelations. Rot & Ruin is the first in a series. I can’t wait to see what happens next to Benny and his friends!
Check the WRL catalog for Rot & Ruin
Check the WRL catalog for the audiobook of Rot & Ruin
It is always interesting when you discover that an author you enjoy for one type of writing also writes in other forms. For many fiction writers, this second form seems to be poetry. Wendell Berry and John Updike, though better known for fiction, are fine poets, and I was pleased to discover while browsing the new books here that Ursula K. Le Guin, whose fiction has been a favorite of mine for years, is also an eloquent poet who has been writing poems for over 50 years. This collection brings together some of Le Guin’s best poetry from 1960-2010.
Like her prose, Le Guin’s poetry is carefully made and reflects a joy in words and ideas. Her poems are precise and crystalline, and there does not seem to be a word used that was not carefully chosen and thoughtfully placed. Le Guin writes equally well about nature (“Wild Oats and Fireweed”) and about the world of the mind (“Learning Latin in Old Age”).
There are some themes that resurface throughout the collection. Loss—of friends and family, places, and abilities—is a recurrent theme, particularly in some of the later poems, but it is balanced by a palpable joy in living that is apparent in even the darkest moments in Le Guin’s verse. The roles of women too are studied here—daughter, wife, lover, mother, Maenad or shepherdess. These are themes that Le Guin has explored in her fiction as well, and it is fascinating to see them here distilled to poetry.
If you only know Ursula K. Le Guin as a fiction writer, you should have a look at these poems as well, and if you are not familiar with her writing at all, the poems here are a fine place to make her acquaintance.
Check the WRL catalog for Finding My Elegy
Pearl Barley and Charlie Parsley are different in almost every way yet they are best friends. How is that possible? Pearl loves to solve mysteries and talk talk talk. Charlie is a quiet guy who likes to sit and think. If you’re looking for a book about the power of friendship, your job is done. Pearl and Charlie’s friendship demonstrates how opposites attract and different personalities can complement one another. Families will enjoy this short but meaningful book.
Check the WRL catalog for Pearl Barley and Charlie Parsley.
Irish writer Seamus Heaney is one of my favorite modern poets, and I have also found much to enjoy in the work of some of the earlier 20th century Irish poets, Patrick Kavanagh and Louis MacNeice in particular. So as I was browsing the poetry collection here, I was delighted to come across this anthology of modern Irish poets. I have discovered here a wealth of new writers to read.
There are poems here about the Troubles and about the history of the Irish people, but what mostly strikes me as I read through these poems is the love of language that seems to be the hallmark of all of the poets here. Here is an example:
She pushed the hair out of her eyes with
her free hand and put the bucket down.
The zinc-music of the handle on the rim
Tuned the evening
(from Eavan Boland’s “The Achill Woman”)
I love the phrase “zinc-music.”
I saw magic on a green country road–
That old woman, a bag of sticks her load,
Blackly down to her thin feet a fringed shawl,
A rosary of bone on her horned hand,
(from Michael Harnett’s “Thirteen Sonnets”)
This is a substantial collection with over 900 pages of poems, from over 50 poets. The poems here are all in English, though some were translated from Gaelic, and each poet’s section begins with a short, but thorough introduction to the author and his or her work. If you have any interest in the poetry of Ireland this is a indispensable collection.
Check the WRL catalog for An Anthology of Modern Irish Poetry
One day while in the park lonely Mildred found what she thought was a stray puppy. After taking him home and discovering he only liked to eat one thing she decided to name him Peanut. Peanut wouldn’t roll over, fetch or bark but he loved to squash cereal boxes, water the plants and snuggle on the couch. He just seemed different from the other dogs. Is it possible Peanut wasn’t a dog at all?
Mildred and Peanut eventually meet up with Peanut’s owner and Mildred allows him to take Peanut away, to the circus! Peanut is happy to be home with his circus family but Mildred is lonely again. So back to the park she goes where she finds a stray…kitten…or maybe it’s not a kitten at all.
Check the WRL catalog for Peanut.
I was introduced to Albert Goldbarth through his wonderful poem “Library” (thanks Neil!), that describes what various books have done for and to Goldbarth and others in the course of their existence. It starts off with “This book saved my life” and proceeds through “This is a book of prohibitions; this other, a book of rowdy license. They serve equally to focus the prevalent chaos of our lives” and “This book is guarded around the clock by men in navy serge and golden braiding, carrying very capable guns” to “This book is going to save the world.”
Goldbarth delights in words, and his poems draw the reader into that delight. He also invests his poems with much humor, though these are by no means light verse. The poems here are frequently long, do not rhyme, and often appear dense on the page. But once you get into them, the way Goldbarth plays with language can leave you breathless. He seemingly effortlessly combines personal stories with bits and pieces of facts about everything from the Bible and literature to physics and the natural sciences. He revels in unusual words and made-up words and in “imperfect knowledge.” He can also be pretty blunt about sexuality, as he notes in “The Singing,” “I have (as colleague X once said) an offensively salty mouth.”
Nonetheless, Goldbarth’s poems are worth the effort of close reading. He plays with words the way a good horn player plays with the notes in a jazz tune. You start off thinking you are listening to an old standard, but by the end you see the piece in a new way. Goldbarth’s poetry opens up new vistas and very well may be being read “in 500 years.”
Check the WRL catalog for To Be Read in 500 Years
Two Aprils ago, I wrote about poet Jane Kenyon’s last book, Otherwise. Today’s post is her husband Donald Hall’s moving and powerful collection of poems about Kenyon’s illness, death, and the days and months following, as Hall begins life without her.
Hall is a superb poet, and I have always enjoyed his writing, grounded in the New England granite where Hall lives on his family’s farm. His poems are earthy, substantial pieces, that move easily from the personal to the universal.
The poems in Without reflect Hall’s deep grief over the illness and death of Jane Kenyon: ”Remembered happiness is agony; so is remembered agony” (“Midwinter Letter”). At the same time, they move with grace to explore the necessity of living with that grief, and the possibility of doing so.
These are not easy poems, but no one said that reading poetry (or reading anything else for that matter) should be easy. They are, however, important poems to read as we try to make sense of the human condition, and that is what all of our reading does for us.
Check the WRL catalog for Without
It is poetry month, and this week, Blogging for a Good Book will look at several books of poetry, both anthologies and works of individual poets. We hope that you will take some time this month to read a poem or two. Read them aloud, as poetry is meant to be heard not just read. And if you are ambitious, try to memorize a poem or two: here are some good ones to start with.
Through his Writer’s Almanac programs on public radio, Garrison Keillor has done a great deal to refresh poetry’s place in American letters (at least for those who listen to NPR). His programs each morning conclude with a poem. In selecting his poems, Keillor goes for pieces that express “a little humanity” and that will not send readers away feeling that they have just encountered “a puzzle with no right answers.”
Springing from the Writer’s Almanac, Keillor has edited several anthologies of outstanding poems, old and new. In Good Poems, American Places, Keillor has sought out poems with a strong sense of place; poems that take the reader somewhere, be it Lawrence Ferlinghetti’s Central Park (“Retired Ballerinas, Central Park West”), Sarah Freligh’s Tonawanda (“City of Tonawanda Softball Championship”), May Sarton’s “Monticello,” or Donald Hall’s Mt. Kearsarge (“Mt. Kearsarge Shines”). Additionally, there are poems that explore more intimate, private space—the farm fields plowed by Joyce Sutphen’s father (“H”) or John Haag’s resting place of a ’37 Chevy pickup (“Homesteader”).
Keillor has a fine ear for verse, and his selections here represent some of the best American poetry around. The collection includes a mix of well-known writers—Billy Collins, Maxine Kumin, Charles Wright—as well as many poets new to me whose work I look forward to exploring.
America is truly present in this book, in the hard work that is done in the factories and farms, in the constant movement from city to rural land, in the bright lights and dark spaces, and in the births and deaths and the in-betweens of the people in these poems. Good Poems, American Places is a superb collection for anyone interested in poetry or America.
Check the WRL catalog for Good Poems, American Places
Bob is a boring bear who likes to count toothpicks, practice humming and sit around in parking lots. As a matter of fact he’s so boring he thinks you probably won’t want to read this book. His Panda friend Jack is just the opposite. Jack loves to do anything that’s wild, wacky or crazy, yet these two bears are the best of friends. Bob and Jack are perfect complements to one another. Their friendship will help kids understand that everyone is different and it is those differences that make life interesting.
Check the WRL catalog for Hello, My Name is Bob.
The compilation of 180 sources is done, and the final version of the All the Best Books Compilation (ABBC) is ready for your download! In final tally, we found mentions of over 2700 books published in the United States in 2012.
You can download the ABBC spreadsheet here: Best2012. Librarians, booksellers, and others who work with readers are welcome to download the spreadsheet, re-sort the results by title, votes, or author and use it to identify great books, develop collections, build displays, or otherwise advise readers. If you re-publish any aspect of the ABBC, just make sure to credit Blogging for a Good Book, Williamsburg Regional Library, and chief compiler Neil Hollands.
Over the past weeks, I have annotated the leading books in each of the ABBC’s twelve categories, either here at BFGB or at my other blogging home, Book Group Buzz. Browse through past posts at both sites to find out more details about some of 2012′s most honored (the last of these posts, on the leading books in contemporary literary fiction, will appear April 1st, no fooling!) Don’t stop there! There are hundreds of fantastic books, many of which were less publicized and thus less frequently reviewed lurking further down in the lists.
Thanks again to Largehearted Boy and the Readers’ Advisor Online Blog for compiling links to many of the best-of-the-year lists. That head start makes compiling this resource, what I like to think of as the most thorough best-of-the-year list of all, much easier. Thanks to Williamsburg Regional Library and all of my colleagues here for the time and support needed to get this work done.
That said, here’s the quick version, the honor roll of the 95 books most frequently mentioned by 180 different authoritative sources: all of the books that were mentioned by at least ten different sources. Each listing provides, the title, author, the number of mentions the book received, and the category of the ABBC spreadsheet in which the book is listed.
Gone Girl, by Gillian Flynn (65 mentions, crime and thrillers)
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity, by Katherine Boo (53 mentions, nonfiction)
This Is How You Lose Her, by Junot Diaz (52 mentions, short stories)
Bring up the Bodies, by Hilary Mantel (49 mentions, historical fiction)
Wild: from Lost to Found on the Pacific Crest Trail, by Cheryl Strayed (44 mentions, bios and memoirs)
Billy Lynn’s Long Halftime Walk, by Ben Fountain (42 mentions, general fiction)
The Fault in Our Stars, by John Green (40 mentions, young adult fiction)
Building Stories, by Chris Ware (36 mentions, graphic works)
Beautiful Ruins, by Jess Walter (34 mentions, general fiction)
Passage of Power: the Years of Lyndon Johnson, by Robert A. Caro (32 mentions, bios and memoirs)
Where’d You Go, Bernadette (30 mentions, general fiction)
Code Name Verity, by Elizabeth Wein (28 mentions, young adult fiction)
The Yellow Birds, by Kevin Powers (27 mentions, general fiction)
The Round House, by Louise Erdrich (26 mentions, general fiction)
Telegraph Avenue, by Michael Chabon (26 mentions, general fiction)
The Age of Miracles, by Karen Thompson Walker (25 mentions, speculative fiction)
Dear Life, by Alice Munro (25 mentions, short stories)
Canada, by Richard Ford (24 mentions, general fiction)
NW, by Zadie Smith (24 mentions, general fiction)
The Orphan Master’s Son, by Adam Johnson (24 mentions, historical fiction)
Alif the Unseen, by G. Willow Wilson (23 mentions, speculative fiction)
Seraphina, by Rachel Hartman (23 mentions, young adult fiction)
Are You My Mother?, by Alison Bechdel (22 mentions, graphic works)
Sweet Tooth, by Ian McEwan (22 mentions, historical fiction)
Arcadia, by Lauren Groff (21 mentions, general fiction)
Redshirts, by John Scalzi (20 mentions, speculative fiction)
Broken Harbor, by Tana French (19 mentions, crime and thrillers)
Flight Behavior, by Barbara Kingsolver (19 mentions, general fiction)
Tell the Wolves I’m Home, by Carol Rifka Brunt (19 mentions, general fiction)
Mortality, by Christopher Hitchens (18 mentions, bios and memoirs)
Quiet: the Power of Introverts in a World that Can’t Stop Talking, by Susan Cain (18 mentions, nonfiction)
The Diviners, by Libba Bray (17 mentions, young adult fiction)
The Dog Stars, by Peter Heller (17 mentions, speculative fiction)
Every Love Story Is a Ghost Story: a Life of David Foster Wallace, by D. T. Max (17 mentions, bios and memoirs)
A Hologram for the King, by Dave Eggers (17 mentions, general fiction)
Mr. Penumbra’s 24-Hour Bookstore, by Robin Sloan (17 mentions, speculative fiction)
Every Day, by David Levithan (16 mentions, young adult fiction)
Joseph Anton: a Memoir, by Salman Rushdie (16 mentions, bios and memoirs)
Angelmaker, by Nick Harkaway (15 mentions, speculative fiction)
Battleborn, by Claire Vaye Watkins (15 mentions, short stories)
The End of Your Life Book Club, by Will Schwalbe (15 mentions, bios and memoirs)
Far from the Tree: Parents, Children, and the Search for Identity, by Andrew Solomon (15 mentions, nonfiction)
2312, by Kim Stanley Robinson (14 mentions, speculative fiction)
The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo, by Tom Reiss (14 mentions, bios and memoirs)
House of Stone: a Memoir of Home, Family, and a Lost Middle East, by Anthony Shadid (14 mentions, bios and memoirs)
Iron Curtain: the Crushing of Eastern Europe, 1944-1956, by Anne Applebaum (14 mentions, nonfiction)
The Killing Moon, by N. K. Jemisin (14 mentions, speculative fiction)
Railsea, by China Miéville (14 mentions, speculative fiction)
The Raven Boys, by Maggie Stiefvater (14 mentions, young adult fiction)
The Snow Child, by Eowyn Ivey (14 mentions, historical fiction)
Spillover: Animal Infections and the Next Human Pandemic, by David Quammen (14 mentions, nonfiction)
Defending Jacob, by William Landay (13 mentions, crime and thrillers)
Gods without Men, by Hari Kunzru (13 mentions, general fiction)
Home, by Toni Morrison (13 mentions, historical fiction)
Live by Night, by Dennis Lehane (13 mentions, crime and thrillers)
May We Be Forgiven, by A. M. Homes (13 mentions, general fiction)
The Orchardist, by Amanda Coplin (13 mentions, historical fiction)
The Rook, by Daniel O’Malley (13 mentions, general fiction)
Throne of the Crescent Moon, by Saladin Ahmed (13 mentions, speculative fiction)
The Twelve, by Justin Cronin (13 mentions, speculative fiction)
Why Be Happy when You Could Be Normal?, by Jeanette Winterson (13 mentions, bios and memoirs)
Bitterblue, by Kristin Cashore (12 mentions, young adult fiction)
The Casual Vacancy, by J. K. Rowling (12 mentions, general fiction)
Grave Mercy, by Robin LaFevers (12 mentions, young adult fiction)
HHhH, by Laurent Binet (12 mentions, historical fiction)
The Middlesteins, by Jami Attenberg (12 mentions, general fiction)
The People who Eat Darkness: the True Story of a Young Woman who Vanished from the Streets of Tokyo–and the Evil that Swallowed Her Up, by Richard Lloyd Parry (12 mentions, nonfiction)
Red Country, by Joe Abercrombie (12 mentions, speculative fiction)
Thomas Jefferson: the Art of Power, by Jon Meacham (12 mentions, bios and memoirs)
The Cove, by Ron Rash (11 mentions, historical fiction)
Drama, by Raine Telgemaier & Gurihiru (11 mentions, graphic works)
The Gods of Gotham, by Lyndsay Faye (11 mentions, crime and thrillers)
How Should a Person Be?, by Sheila Heti (11 mentions, general fiction)
Jerusalem: a Cookbook, by Yotam Ottolenghi and Sami Tamimi (11 mentions, how-to)
The Light between Oceans, by M. L. Stedman (11 mentions, historical fiction)
Shine Shine Shine, by Lydia Netzer (11 mentions, speculative fiction)
Short Nights of the Shadow Catcher: the Epic Life and Immortal Photographs of Edward Curtis, by Timothy Egan (11 mentions, bios and memoirs)
The Unlikely Pilgrimage of Harold Fry, by Rachel Joyce (11 mentions, general fiction)
At Last, by Edward St. Aubyn (10 mentions, general fiction)
Caliban’s War, by James S. A. Corey (10 mentions, speculative fiction)
Carry the One, by Carol Anshaw (10 mentions, general fiction)
Dare Me, by Megan Abbott (10 mentions, crime and thrillers)
Half-Blood Blues, by Esi Edugyan (10 mentions, historical fiction)
How to Be a Woman, by Caitlin Moran (10 mentions, bios and memoirs)
The Hydrogen Sonata, by Iain M. Banks (10 mentions, speculative fiction)
A Land More Kind than Home, by Wiley Cash (10 mentions, crime and thrillers)
The Last Policeman, by Ben H. Winters (10 mentions, crime and thrillers)
My Friend Dahmer, by Derf Backderf (10 mentions, graphic works)
Patriarch: the Remarkable Life and Turbulent Times of Joseph P. Kennedy, by David Nasaw (10 mentions, bios and memoirs)
The Revised Fundamentals of Caregiving, by Jonathan Evison (10 mentions, general fiction)
Seating Arrangements, by Maggie Shipstead (10 mentions, general fiction)
Shadow Ops: Control Point, by Myka Cole (10 mentions, speculative fiction)
The Smitten Kitchen Cookbook, by Deb Perelman (10 mentions, how-to)
Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed (10 mentions, nonfiction)
The Troupe, by Robert Jackson Bennett (10 mentions, speculative fiction)
Zona: a Book about a Film about a Journey to a Room, by Geoff Dyer (10 mentions, nonfiction)
I’ll be back next year, with another installment of the ABBC!