Over the past few years, I have spent a lot of time reading both fiction and nonfiction set in the early 20th century, from just prior to WW I and the years immediately following the war up to the start of WW II. There is something about that time period that I find particularly compelling. Part of it is, no doubt, trying to comprehend the horrors of the war itself and the effect that it had on individuals and on the world. In R. F. Delderfield’s great academic novel, we see how a man, scarred by his service in the British Army in the fields of France, attempts to recover through his work as a teacher, just as his country attempts a similar recovery from its devastating losses.
We first meet David Powlett-Jones, shell-shocked and still recovering from injuries suffered when an explosion buried him alive, as he catches a train into the English countryside to apply for a position at Bamfylde School. Powlett-Jones has been brought back to a semblance of health, mental and physical, by a Scottish neurologist, who encourages him to consider becoming a schoolmaster, “imparting to successive generations of the young such knowledge as a man accumulated through books, experience, and contemplation.” Although the war interrupted his education, Powlett-Jones is taken on an instructor, and the novel chronicles his rise through the school to headmaster.
I love this book for the small portraits that Delderfield paints of the schoolmasters, students, and country folk in the neighborhood of Bamfylde. In a paragraph or two or three, each person is limned with compassion and a recognition that all of us have our strengths and weaknesses. Delderfield’s mastery is in building his lengthy story — 598 pages — with a multitude of smaller pieces. As with a mosaic, you can take as much delight in studying the tesserae as in looking at the whole.
Delderfield also excels at writing about the English countryside, for which he has a clear and deep affection. Here is a description of Powlett-Jones’s approach to Bamfylde:
Already the hedgerows were starred with campion and primrose, with dog violets showing among the thistles and higher up, where the rhododendrons tailed off on the edge of a little birch wood, the green spires of bluebell were pushing through a sea of rusty bracken.
Yes, I am easily won over by lists of flora, fauna, or geologic formations.
Delderfield does not shy away from difficult situations, and Powlett-Jones experiences triumphs and sorrows as he and the school navigate the turbulent years from 1918 to the beginning of the Second World War. But through all of these ups and downs Powlett-Jones emerges as a compassionate and thoughtful teacher, the sort we would all hope for at the beginning of a new school year.
Check the WRL catalog for To Serve Them All My Days
Read the ebook of To Serve Them All My Days
Have you ever wished you could communicate more clearly on a bad cellphone line? Then maybe you need Alpha, Bravo, Charlie to learn about the phonetic military alphabet. Written as a children’s alphabet book Alpha, Bravo, Charlie is an informational book with plenty for children (and adults!) to learn, but is also very entertaining, especially for children who don’t like talking animals and prefer their picture books to be about real things. Each page, or double page spread features a letter of the alphabet along with its phonetic alphabet equivalent and naval signal flag. A military-related event or piece of military equipment is briefly described, often alliteratively. For example, S Sierra “Sailors Salute”, B Bravo “A battalion of brave soldiers get ready for battle” and F Foxtrot “Foot soldiers wear bulletproof flak jackets”. The illustrations are richly colored, active and detailed and help make a bright and attractive book including a bold blue cover and end papers decorated with navy signal flags. This is another book I used in the storytime for military families. Alpha, Bravo, Charlie is a great choice to be read aloud for military children to see pictures of what their military parent may do at work. I also recommend it for young readers who are fascinated by secret codes and love to read about construction equipment and other huge machines. There are few machines as impressive as a Navy destroyer, a Coast Guard icebreaker or a fighter plane!
Check the WRL catalog for Alpha, Bravo, Charlie.
Lizzy shares this review:
Ever since the day he helped her up after a nasty tumble, Black Magic Club member Reiko Kanazuki has been obsessed with Hunny. She is devoting all her knowledge of the dark arts to curse him and steal his soul. Will the sweetest member of the Host Club fall victim to her spells? – Goodreads summary.
Ouran High School Host Club, Volume 10, was interesting. It starts out with a bold entrance and gets bigger and bigger.
The characterization in this volume continues the path that they were going. Each character still has their own quirks, even the twins! This volume even shows a way to tell the siblings apart.
I found it interesting how part of the volume is set at Hikaru’s and Kaoru’s house. The reader is able to learn more about them and their family life. Personally, I found it to be different than I thought it would be.
I would give this volume 4 stars since I didn’t quite enjoy the ending, but altogether it was great.
Check the WRL catalog for Ouran High School Host Club, Volume 10.
What are books all about? No, not the plots, but the culture of books and readers. Are the books we choose a shortcut to our identities via our fantasies and fears? Are they instruments to demonstrate our superiority or to hide our inferiority, raise our children by, choose our friends with? If anyone’s qualified to take on these questions, it’s reader / blogger / tech geek / woman-about-town Lauren Leto.
In a series of short essays, Leto writes about testing new romantic prospects by taking them to bookstores, or by starting a conversation, and laments that the growth of e-readers makes it impossible to cover-snoop. (Barry and I used to do that at airports to pick out the librarians. Not for romance, mind you, but to see if 50 Shades of Grey went with the shoes.) Where you read what you read is another clue, as are the books and tchotchkes you’ve got on your bookshelf. And how you handle challenges from readers you don’t know – lie about reading the book? make a snarky comment dismissing the author as a hack? try one-upping the person until one or the other reveals themselves as a reading fraud? – is as important as the literary quality of your actual reading.
Leto’s writing is fresh, funny, and insightful. She is unabashed about her enjoyment of fun books, but maintains focus on the kinds of books that people who talk about books talk about. Along the way, we get some great ideas for our personal reading lists, and quite a few cutting one liners about both literary wunderkind and bestselling popular authors. (The whole book is copyrighted, but if you memorize a few and trot them out at your next dinner party, Leto probably won’t catch you. Any fair use attorneys out there?) There are entries that can make you puff your chest out one second and ponder the hole in your soul the next if you don’t follow Betty Rosenberg’s First Law of Reading, and secretly cheer when you don’t follow Orr’s Corollary to the First Law. Best of all, there’s a clarion call to change the reader’s mascot from the lowly worm to a higher form of life.
Like most collections of comic essays, these are best taken in chunks to maximize the laugh value. Some are short enough that you can read several at one sitting; others long enough that you can read comfortably at one sitting. Either way you take it, Leto’s reading life is mirrored by everyone who comes across this blog. Read it and have a blast.
It’s the dream of a lifetime for so many – pick some wonderfully historic city or region and move there for an extended time. Live elbow to elbow with the locals, find the hidden restaurants and best shops and become one with the people who lived there since the city was founded. Learn the byways and hidden jewels and play host to the friends who visit you bearing their not-so-secret envy.
That’s what Polly Coles thought she was headed for when she and her partner packed up their four children and moved from England to Venice. Ahhh, Venice, Queen of the Adriatic, hub of world trade, cosmopolitan, her ancient canals filled with … human and animal waste, garbage, enormous cruise ships, and lollygagging tourists taking all the seats on the vaporetti. A city not designed for moving your household unless you have both Atlas and Charles Atlas to carry your valuables. And when the seasonal high tides (the acqua alta) come in, your wellies had better come over your knees or you’ll be slopping through who knows what.
Perhaps worst of all is the attitude of the Venetians. There is a definite pecking order, starting with the people whose families have lived there for hundreds of years, to the newcomers who’ve only been there around a hundred years, to the people who live there but weren’t born there. Bottom of the heap, of course, are those who are only visiting for a few hours. On the other hand, there is an egalitarianism within the city itself – rich or poor, you have to walk the streets to get anywhere, and the woman in the subdued colors next to you might be a Baroness. (When you go out to the Lido, where all Venetians holiday, it’s another story. A beachfront capanna goes for around $20,000 for the season, or you can go in with your neighbors for around $7000. And the beachgoers know exactly where everyone belongs.)
There are also other currents in the social stream, including the foreign workers who commute from the mainland to the beggars who crouch humbly on the pavement and wait for alms. Coles makes an effort to understand these people, and does a wonderful job portraying the tragedies and small victories of their lives. She also delves into the culture of the common spaces, precious in a place that can’t grow outward or upward, and to the fabulous interiors hidden behind fortress-like walls and doors. And forget Carnival. Real Venetians have a much more varied festival season to mark the long history of the city, including a thanksgiving for deliverance from the Black Plague which killed 50,000 people.
There are some shortcomings: Coles frequently talks about the Venetian dialect, which is different enough from “standard” Italian to make it difficult for non-natives, but she never really explains the difference. She also repeats some of the regular complaints about tourists, which can start to grate on the reader. But her strengths shine through, from her description of the obstinate bureaucracies to some beautiful descriptions of the setting and the residents. She also follows the debate about who is a “real” Venetian, and comes to an insightful answer. Still, it makes me rethink wanting to go to a place that has become a caricature of itself, at least until I can worry about where to hang my laundry.
Check the WRL catalogue for The Politics of Washing
This month marks the centenary of the start of World War I. Such an important historical event is something children should know about, but most depictions are far too disturbing for small children. The library owns several picture books that introduce children to World War I in a more accessible, nonthreatening way, such as Christmas in the Trenches by John McCutcheon, Fly, Cher Ami, Fly!: the Pigeon Who Saved the Lost Battalion by Robert Burleigh, or The Donkey of Gallipoli: a True Story of Courage in World War I, by Mark Greenwood. Knit Your Bit is even more suitable for small children as it has minimal depictions of the front line. It came out last year and is based on a real knitting competition in Central Park in July, 1918. As the book starts Mikey’s Pop goes off to war on a steam train and Mikey wants to do something BIG to help. His mother and sister suggest knitting for the soldiers but Mikey doesn’t want to do something so girlish. Then they hear about a knitting Bee in Central Park, so the boys in Mikey’s class are challenged into setting up the Boys’ Knitting Brigade and know that they will beat their rivals the Purl Girls. During World War I the “Knit for Sammy” program was so widespread that there were even sheep on the White House lawn! The cartoonish ink and watercolor illustrations warmly capture the characters’ emotions while the endpapers include historical photographs of children knitting during World War I. Try this book for small military children to reflect their experience of an absent parent, or for historical information about World War I or just a warmhearted and interesting story.
Check the WRL catalog for Knit Your Bit.
It’s a little known fact, but the vocalist for one of the big-name bands out there also has the greatest chops as a legal novelist. And with Limitations, which the New York Times Magazine graciously published in serial form, he shows that he can even take on the novella as a frame for his characters and settings.
Limitations brings readers back to Scott Turow’s fictional Kindle County, which has been likened to Chicago, but with a smaller-town feel. It also revisits two earlier characters – attorney George Mason (Personal Injuries) and Chief Judge Rusty Sabich (Presumed Innocent, Innocent). Mason is now a judge on the Court of Appeals and is discovering that wisdom does not come with age and experience.
He’s also discovering that the black robe does not render him immune to the outside world: his wife and valued counselor of more than thirty years is under brutal therapy for cancer, he’s facing a tough re-election, and someone is sending death threats to his office and home computers. Mason wants to be frank with Patrice about his legal and political dilemma, but also wants to withhold from her messages he thinks are from a crank. Can he tell the complete truth about one and deceive her about the other?
The case he and two other appellate judges are facing is also brutal – an African-American teen was viciously raped by four white fellow students. One recorded the whole scene, but none of the people he showed it to reported anything for several years; the girl, who had been unconscious during the attack, didn’t fully understand or acknowledge the rape until the police showed her the tape. Four years after the crime, the rapists are tried and found guilty, but are appealing because the statute of limitations has passed. Or has it? That’s the question Mason must face.
There’s a more profoundly personal element to his dilemma, something that hearkens back to his own confused and frightened youth, and he believes he must reconcile that memory before he can proceed to make his judgment. But the death threats become increasingly specific, and may be coming from a powerful underground figure with the power to carry them out.
Turow explores the various shades of Limitations through one man’s life and work without drawing a giant arrow to each one. And while the story comes to a resolution, it isn’t limited to a neat wrap-up. It isn’t as involved as some of his longer books, but is a satisfying read nonetheless.
Check the WRL catalog for Limitations
Lily shares this review:
This is the 4th book of the Books of Bayern series.
As a young girl, Rin took comfort in the trees, soaking up their soothing warmth. Being the youngest in her family, she has always looked up to her brother, Razo. His visits from the city were always filled with the tales of all the adventures he’d had since his last visit. Razo insists that Rin come with him to the city for a much needed change, and she does. Being there, she realizes how much her life was missing and how much she had retreated into the safe shell of home. Rin meets Razo’s friends: Isi, Enna, and Dasha (the Fire Sisters, she nicknames them). Their talents give Rin a sense of longing to be like them.
In time she finds her strength, independence, and power…in ways she never expected.
Check the WRL catalog for Forest Born.
August 2014 marks the centennial of the worldwide convulsion we call World War I. Many of the images we collectively identify with the war came from one region of the line: Flanders. The mud and shell holes which drowned soldiers, the devastated landscapes, the ancient towns reduced to rubble, the fruitless struggle for advances that could sometimes be measured in meters all characterized the hell which started at the North Sea and ended around the French border with Belgium.
Winston Groom, he of Forrest Gump fame, has been interested in Flanders since finding a automobile touring guide in his grandfather’s attic. In writing a history of the Ypres Salient, as the continuous four year battle was known, he has drawn on contemporary accounts, historical evaluations of the battle, and the biographies of participants from private (including Adolf Hitler) up to general. But everything seems to come back to that map of his grandfather’s.
The topography of the region was perhaps the greatest obstacle that faced both sides, but especially the British. A hill – more accurately a pile of construction rubble 60 meters high – dominated the landscape and provided an observation post for the masses of German artillery. The drainage ditches which made the pre-war farms possible were destroyed, and the heavy rains were channeled into the British trenches. Those farmlands offered little or no cover for assaults which might cover hundreds of meters into well placed German defenses. But the British held the salient as the world dissolved around them. Today, over 200,000 British cemeteries are in Flanders, and a memorial remembers 90,000 more who simply disappeared over the four years.
I became interested in reading an account of the Ypres Salient when the library added The Great War Seen from the Air, an oversized and detailed collection of aerial photographs with analysis and overlays which explain what the reader is seeing. Since I didn’t know the place names and only had a general sense of the war in Flanders, I wanted to know more about what the photographs represented. I don’t know which is worse – seeing the ground-level destruction or the panorama which puts that destruction into a larger context. I am still no closer to understanding how the soldiers and civilians on both sides could allow the futile bloodletting to continue. I do know a little more about the seeds sown by the War to End All Wars, which bloomed into the history of the 20th Century. Let’s hope that kind of madness never descends on humanity again.
Check the WRL catalogue for A Storm in Flanders
As I wrote last year over two million children have a parent serving in the United States military. The world is changing and the military is changing, but what is unlikely to change is that most military children are very young and are confused about why their parent has to go away and what they do when they are away. Hero Dad will help young military children with their confusion. It is a simple picture book with one sentence per page, to be read aloud to the youngest military children. The sentences are split into two parts, with the first part suggesting a super ability that a comic book hero might have and then the second part lists the equivalent military ability. So my dad “doesn’t wear rocket propelled boots” instead “he wears Army boots”. Or my dad “doesn’t wear a cloak that makes him invisible – he wears camouflage.” The illustrations are active and warm, showing the father using his super abilities in a far-off place. The book starts with the Hero Dad saying goodbye and ends with him returning and warmly embracing his son.
A new book in series, Hero Mom, came out in 2013. This one starts with seven different children saying. “Our moms are superheroes” and follows the same pattern, so for a mechanic it says “My mom can’t transform into a machine, but she can make airplanes fly, trucks run, and tanks roll.” Hero Mom shows a mom and daughter skyping – a common and important method of communication for military families. Again the book ends with a mom and child warmly embracing after she returns.
Many of the other books depicting children who have a parent in the military (click here for a list) are too complicated for the youngest children, so I highly recommend Hero Dan and Hero Mom for the smallest military children who have short attention spans and limited experience of the world. For other small children the books can show some of the many different things parents do when they leave for work.
This is a book I used in a storytime for military families at the Williamsburg Regional Library.
Check the WRL catalog for Hero Dad.
In a recent Gallup survey, 75% of the respondents said that the Bible is the inspired word of God; about half of those said it was literally the word of God. However, even the most generous estimates are that perhaps 10% of Americans report reading the Bible cover to cover. (I’d be willing to bet that some of those who said they did were violating the Eighth or Ninth Commandment.)
Regardless of your motive, reading the entire Bible (and Plotz, a nonobservant Jew, limited himself to the Old Testament) is a taxing and enlightening project. 26 books filled with the movements of a nomadic people constantly fighting with their neighbors, begetting generation after generation, and laying down precise rules about who and what could actually approach God can get pretty tiring. Besides, your Sunday School teacher or Hollywood took the important parts and left all the rest behind, right?
One of the first things Plotz discovers is that those stories aren’t quite as straightforward as most people would like to think. Two versions of the creation story? A parade of liars, cheats, dastards and worse as the Lord’s Chosen? Wrathful and genocidal zealots committing mass murder in His name? And that’s just the first book.
It gets worse as God continually writes and rewrites the Covenant, punishes the innocent and gives passes to the guilty, and accepts child sacrifice in violation of His own law. When the Israelites come into their own in Canaan, the fun really starts. Instead of a land flowing with milk and honey, the Israelites created a land flowing with blood. (That’s according to the Bible – it’s highly unlikely that the area could have supported the hundreds of thousands of Canaanites and Israelites cited in the various stories.)
The best part of the book is that Plotz doesn’t indulge in exegesis. He’s not qualified, as he himself says. Instead, he gives a chapter-by-chapter (OK sometimes he groups chapters together when they’re related) account of the Bible as he’s reading it. His tone varies from flip to bemused to outraged to wonder-filled as he works his way through the stories, poetry, inspiration and contradictions of a book which has provided continuity to the Jewish people and has influenced Western history for 2000 years. But he also finds that knowing how the stories fit together equips him to continue a tradition of doubting and challenging a world where righteousness is no guarantee of happiness or even survival.
Check the catalog for Good Book
Jan shares this review:
Bo Whaley lives on an Air Force base in North Carolina. His father is the base commander, which just makes life complicated, especially when most of the kids in his class also live on base. To make life even more convoluted, his cousin Gari arrives from Seattle to live with him because her mother is being deployed to Iraq. They are assigned to the same class to help Gari fit in, but things go badly between them from the start.
The only good thing that is happening to Bo is his new teacher. Ms. Loupe, who is in her first year of teaching, has a tattoo and is young enough to have been taught by the principal. For Bo the best thing about her is her passion for theater. She engages the class in improv involving a beaten up couch, and Bo discovers in himself a talent for acting that previous teachers had seen as a propensity to talk and goof-off in class. His enthusiasm grows until he discovers that the big theater camp that the teacher is planning will be held next summer. He will be gone then, when his family is sent to their next military assignment, which makes Bo furious with the military lifestyle.
Ms. Loupe also gets the class working on a project to send supplies to her brother, who is stationed in Afghanistan. When her brother is declared missing in action, Ms. Loupe is understandably distraught, and Bo’s whole class want to help. In the most moving part of the book Bo, his cousin Gari, Ms. Loupe’s entire class and finally the whole community find a way to work together and, if not fix the unfixable, at least make things better. In the process they learn about each other, themselves, friendship and community.
In turn hilarious and heartbreaking, Operation Yes has a lot to offer. As a librarian I love the literary profanity that the school librarian indulges in : “‘Frog and Toad!’ Miss Candy said. ‘Not again!'” or “Green Eggs and Ham!” I am doing a project on books featuring children with parents in U.S. military, and some of these books are impossible to get through without crying. Operation Yes is definitely in this category. Read it for a moving portrait of a community coming together or an accurate depiction of the military family lifestyle.
Check the WRL catalog for Operation Yes.
Jessica shares this review:
Ruined is a hauntingly mysterious ghost story that takes place in the heart of New Orleans. When Rebecca finds out that she has to leave her beloved hometown of NYC for a few months while her father is away in China for business, and stay with a little-known family friend in New Orleans, she is mortified. What about her friends? What about school? But there’s no choice, and Rebecca soon finds herself in the heart of the Big Easy, wandering through the Garden District and casting curious glances at the cemetery down the street from her “Aunt’s” house.
When she follows a group of the popular, old-money kids from her new private school into the cemetery one night, she surprisingly encounters a lonely girl, about her age, wearing a slightly torn dress. Interested but concerned that she will be discovered by the other teens, Rebecca asks the girl for a way out of the cemetery and runs off. As the days go by, Rebecca finds herself thinking more and more about the girl in the graveyard. When she returns a few nights later, Rebecca once again talks to the girl, but can’t help thinking there is something a little off about her. It is only when the girl, Lisette, takes her hand and she becomes invisible to the living that Rebecca makes a startling realization. Lisette is a ghost. But there’s a lot more than that to the story.
Once Rebecca looks into Lisette’s past, and her death, a shocking trail of clues, curses and hundred-year-old buried secrets comes to light. And the rich and powerful of the city are willing to do anything to keep the past hidden and their good names intact. A chilling tale with not only mystery and intrigue but also cultural detail and historical insight, this story will appeal to a range of readers.
Check the WRL catalog for Ruined.
This is a book of opposites as demonstrated…by a dot. This is a very well done and cute concept book…one could even say it was spot on! This book is simple enough for the baby/toddler crowd but has enough inherent humor in it to attract the older crowd’s attention.
Extremely simple illustrations are perfect for viewing from a distance and yet also offer up some surprising detail for the more attuned visual observer. I have to admit, this book gave me a bit of a giggle! I hope you enjoy it as much as I did.
- Storytime or lapsit appropriate
- Easily viewed illustrations
- Concept Book
Check the WRL catalog for Dot.
Martha Grimes has come a long way since she started a series of mysteries named after English pubs. Her latest Richard Jury mystery is named for a champagne bar atop a skyscraper that overlooks the London financial district. While stretching the definition of “pub,” and sporting a cover that looks like a city crime thriller, the story offers the same mix of tragic, wealthy victims and eccentric rural Brits that have made Grimes’s books so popular for years.
Quite a few characters have been introduced in the course of 23 books, and the ones who weren’t Inspector Jury’s love interest have mostly survived to feature in later books. Grimes’s latest books are like a roll call of characters, each of whom seems to have wandered in from a different genre of mystery. Richard Jury, handsome and melancholy, lives in a darker, psychological mystery series where most people die, especially women he admires, and terrible things happen to children; reluctant aristocrat Melrose Plant evokes the golden age of wealthy amateur sleuths with butlers; while the crew of hangers-on in the town of Long Piddleton and Plant’s dreadful American aunt seem like they’d be comfier in a cozy mystery with tea shops and talking cats. But Grimes throws them all together along with movie references in affectionate nods to all kinds of mysteries past.
The movie reference in this case is obviously Hitchcock’s dizzy thriller Vertigo. For an old friend, Jury agrees to look into a very cold case: seventeen years ago, the friend’s beloved wife “fell” down a stone stairway, or so the police concluded at the time. It does seem suspicious that her death mirrored an even earlier tragedy, when a bossy, unpopular child at a birthday party “fell” into an empty pool on the same grounds. And while Jury is mulling over these incidents, a woman “falls” from a tower in the surprisingly crime-ridden environs of Long Piddleton, involving Melrose Plant and the usual suspects who hang out at the local pub. Jury and Sgt. Wiggins trace the survivors of the fatal party, and a depressing lot they are. But are they murderers?
Check the WRL catalog for Vertigo 42.
Izzy Goodnight’s father was the author of a beloved series of children’s stories set in a fictional medieval kingdom. But since her father died, leaving nothing but debts, Izzy’s real life is no fairy tale. Her purse is empty when she receives notice of a surprising bequest: her godfather appears to have left her a castle. And when she arrives to take stock of the new real estate, uneasily situated in the middle of nowhere, her ownership of the castle comes as a surprise to the duke who is already living there.
A scarred, snarling misanthrope with his own problems, Ransom William Dacre Vane doesn’t remember selling the castle at any point, and he’s unwilling to move out, as he needs a cold, bat-infested castle for brooding purposes. You can’t properly hate mankind in a rose cottage, can you? Not one to back down, Izzy strikes a deal with the duke: he will pay her to act as his clerk; she will sort through his piles of unopened correspondence in hopes of settling the legal status of the castle. Her duke-infested castle.
This lighthearted romance is roughly based on the story of “Beauty and the Beast.” That’s never been one of my favorite fairy tales, as it requires the hero to waste so much time insisting he’s a monster— so I was actually pretty relieved when the LARPers showed up. Yes, I picked this title out of a stack of historical romances because it contains 19th-century cosplay, a band of fannish role players who are starstruck to meet the Izzy Goodnight of the Goodnight Tales and who spend their spare time re-enacting medieval romances.
Written in a breezy, conversational style, this is a romance for pure escapism. All the gothic elements, the isolated castle, the bats, and the apparently brutish lead— so brooding!— are played for laughs and to surprisingly sweet effect. There’s a sneaky undercurrent of modern references, too (“The threat is coming from inside the castle”), that let you know this story is all in good fun.
Check the WRL catalog for Romancing the Duke.
I am a librarian, and I love to sing! Not being good at it has never bothered me much and when I picked up A Farmer’s Life for Me I knew I had found another winner. The nice thing about this sing-able picture book is that it includes a repeated chorus of “1, 2, 3, it’s a farmer’s life for me” so not only do you get to sing, but the kids do too! The nice colorful illustrations can be seen easily from a distance and the book would work well for a farm themed storytime.
- Storytime or lapsit appropriate
- Easily viewed illustrations
Check the WRL catalog for A Farmer’s Life for Me!
Art, theft, and con artists in love are an irresistible combination in this contemporary romance classic. Whip-crack dialogue and lots of old movie quotes evoke the great screwball comedy duos of the screen.
They meet in the closet while burgling a house: Davy Dempsey, a (reformed?) con man introduced in Welcome to Temptation, is trying to steal three million back from a gold-digging ex who has moved on to her next victim, an art collector. Tilda Goodnight is trying to steal back her own painting so that the world won’t learn that the respected Goodnight art gallery has been trafficking in forgeries.
I’d forgotten how crowded this book is when I revisited it on my recent romance binge. On top of the cast of dozens, some have double identities and others have multiple nicknames, depending on which movie they happen to be quoting at the time. Fast-paced and funny, it’s one of those comedy romances in which you never know who will come through the door next— the con man, the hit man, the gold digger, the FBI? “It’s like the clown car at the circus,” someone remarks during the whirlwind conclusion, but it all ends in a happily ever after with character reveals that would make Shakespeare proud.
Crusie’s titles stand out from a crowd of romances because of the truths underneath the silliness: women trying on different roles, trying to be all things to all people, and losing track of which is the “real” self in the end. Tilda, a gifted painter, has been supporting her family with knockoff Impressionist murals for so long, she’s come to hate her art— and Davy can give Tilda her art back, not just in literal paintings, stolen or conned from their original owners, but in the joy of painting again in her own style. And while Davy and Tilda’s hot-and-cold affair is in the spotlight, there are satisfying moments of revelation for all three generations of Goodnight women. Happy endings are not only for the young and cute! Mother Gwen, whose long-repressed anger comes out in subversive cross-stitch and patchwork quilts with teeth motifs, gets a new beginning out of the plot as well.
For other romantic crime capers, Melissa recommends The Spellman Files. Or, there’s the stylish 1960s film, How to Steal a Million, in which Peter O’Toole, Audrey Hepburn, and Hepburn’s Givenchy and Cartier wardrobe also find true love in a closet, while conspiring to steal a forged sculpture. While Dempsey and Goodnight are more down-to-earth than O’Toole and Hepburn— aren’t we all— the aura of witty, screwball fun is the same.
Check the WRL catalog for Faking It.
Go ahead, watch How to Steal a Million, too.
Lily shares this review:
In this futuristic, dystopian world, humans, androids, and cyborgs live together in New Beijing. Many citizens are ill with an incurable plague. On top of that, a ruthless lunar people wait in the sky, watching for an opportune moment to strike.
Cinder is an adopted cyborg who pays her way by being a mechanic.She lives with her adoptive (step)mother and two (step)sisters in an almost nonexistence. Life is pretty consistent.
Everything all changes when Prince Kai comes to her, asking her to repair his android. Suddenly, it all goes haywire from there and Cinder realizes she is part of a much bigger picture than she thought.
I love this book and recommend it to those who love sci-fi, action, and a little romance.
Check the WRL catalog for Cinder
“She imagined the conversation as a prime coach-and-four. She imagined it racing along a road at top speed, the wheels glinting in the sunlight. And then she imagined driving it straight into a hedge.”
Jane Fairfield has the opposite problem of many romantic heroines: she has too much money (a hundred thousand a year!) and too many suitors (who are after her money), and it’s very important to her that she not get married. Marriage would take her away from her sister, who suffers doubly from seizures and from the torturous attempts at a “cure” forced upon her by their uncle.
To further the goal of remaining single at all costs, Jane pretends to look for a husband but presents herself as a tactless nitwit, a social bull in a china shop, and she tops off the performance with the most tasteless, over-the-top gowns she can get away with in a ballroom (“nothing says lace like…. more lace”).
Oliver Marshall, the illegitimate son of a duke, has parliamentary ambitions. Moving between his working-class background and the upper crust set he’s hoping to impress, Marshall is doing his best to blend in with society, while Jane is flying in the face of it. Of course they are meant to be together. Unfortunately, Marshall’s mentor wants a favor in exchange for delivering a bloc of votes in Parliament: publicly humiliate that appalling woman, Jane Fairfield.
Part of a series of loosely-connected novels, this historical romance features not just a duo but an ensemble of strong characters— an aspiring suffragette, an Indian law student, an agoraphobic aunt, lady geneticists!— each with a compelling subplot. Jane, with her tasteless wardrobe and outrageous opinions, is a refreshing and entertaining heroine. The 1860s setting provides all manner of external conflicts in society: class issues, the debate over natural selection, and the vote for women, to name a few. The interpersonal conflicts are handled not just with empathy, but sensibly, with characters having rational conversations with one another and helping one another towards their goals. Nobody gets rescued; instead, with help, everyone rescues themselves. Full of quotable lines, this is a fun, redemptive romance that will have you cheering for, well, everybody.
The Brothers Sinister series can certainly be read out of order, as I’ve been doing, but if you like to take things in order, start with The Duchess War.
Check the WRL catalog for The Heiress Effect.
WRL also owns the ebook.