Madison’s parents are dragging her to the beach over summer vacation. That doesn’t sound all that bad, does it? Well, Sandyland isn’t much of a beach, and Madison would rather spend her time with her friends at home. She has a great sophomore year planned and can’t wait to work as a photographer for the school paper. Unfortunately, what was supposed to be a short vacation while her dad did a quick contracting job in Sandyland has turned into something very different. Her father’s job is taking longer than expected, her mother is looking for work, and her friends back home say there is an “Up for Auction” sign out on her lawn.
Making the best of things, Madison heads to the beach with her camera. When she drops it in the sand, and must get it repaired at the local “Psychic Photo,” two things happen. Madison begins to make friends with some local teens she meets at the shop, people she never would have looked at twice at home. Also, people begin to show up in her pictures who weren’t there when she took the picture. She and her friends are able to identify the woman in the first picture, but strangely, she has just died. Can her camera foretell death? And will Madison be stuck in Sandyland forever? This isn’t how Madison was supposed to spend her summer vacation.
Check the WRL catalog for Snap.
Although I most frequently read mysteries, fantasy, 19th century novels, and Southern fiction, something keeps bringing me back to Peter Høeg’s writing, though these stories in many ways fall outside my usual scope. While Smilla’s Sense of Snow was sort of a mystery, it was not particularly traditional, and Høeg’s The Quiet Girl is a peculiarly appealing blend of genres and styles. I think that it is the beauty of Høeg’s writing that keeps me on the lookout for his books on the new fiction shelves.
If you enjoy thoughtful, well-crafted sentences, along with occasional flashes of humor, you will find much to like in Høeg’s most recent novel, The Elephant Keeper’s Children. The novel follows the adventures and misadventures of Peter, the narrator, Tilte, and Hans, whose parents have disappeared off the fictional island of Finø, off the coast of Denmark. The children’s father is a church pastor, and as Peter tells it, his parents are not above manufacturing miraculous events to draw people to their church. With their parents gone, Peter and his sister Tilte set out to find out what they are up to this time, with help from their older brother Hans and a variety of unexpected acquaintances. As in any thriller, help appears when it is least expected, and shifting allegiances make the search even more challenging. Along the way, the pair encounters angry bishops, unstable teachers, a romantic pair of police officers, and terrorists aiming to explode a bomb at an ecumenical gathering. Høeg has an excellent feel for pacing a story, and his characters are all memorable.
But the book is not just a tour-de-force of fine writing. Høeg explores fundamentalism and belief, the power of love, and ultimately the nature of what it means to be human. With Peter as our guide, we come to see the world in a new way, to look for those “openings” that lead us to a better understanding of ourselves and each other, and that allow us to escape from the rooms that we put ourselves in. The title of the book is taken from an “old Indian saying”
In case you wish to befriend an elephant keeper,
make certain to have room for the elephant.
Check the catalog for The Elephant Keeper’s Children
On the surface, Grace is a typical teenager living in Mercy Falls, Minnesota. Her parents are caring but quirky, leaving Grace alone much of the time. She is haunted by a childhood memory of being attacked by the wolves that inhabit woods surrounding her home and being saved by a wolf with golden eyes. Throughout her childhood, Grace remembers seeing “her” wolf during the winter. What is the connection between them?
Maggie Stiefvater creates her own werewolf mythology based on temperature and occasional traumatic events. When the town believes that a teen has been killed by the wolves that roam Mercy Falls, the wolves are hunted and Sam, injured by a gunshot, literally falls into Grace’s arms in his human form. As the relationship between Sam and Grace develops, Stiefvater tells a moving and realistic love story between two teenagers willing to work and fight to develop their relationship. The emotions and missteps of young love are realistically portrayed.
The task of keeping Sam in his human form is fraught with danger, but Grace and Sam persevere. The supporting cast in Shiver is as well developed as the two main characters. They are the teens that populate our world. The combination of character development and lyrical language keep the reader riveted to the story. Plus the development of the characters in their wolf personas is equally well-done. All of this allows the reader to engage in the suspension of disbelief that makes great books and movies work. Shiver works. It is a complete package of character development, setting, suspense, and romance. Shiver is followed up by Linger and Forever.
Check the WRL catalog for Shiver
This hard-hitting historical novel is a “companion book” to the Edgar award-winning Code Name Verity, with which it shares a World War II setting and a handful of characters.
Rose Justice is an 18-year-old American pilot with England’s civilian Air Transport Auxiliary. Only recently arrived in England, she’s chirpy and excited about her work and a little naïve. She dismisses rumors of terrible things happening in German prison camps as propaganda. And one day, returning from a flight over France, she flies off course—while tipping a bomb out of the air, may I add—and suddenly two Luftwaffe jets are escorting her into Germany. Mis-classified with a group of French political prisoners, Rose is sent to the women’s concentration camp at Ravensbrück.
She has entered a different world. In six months, from September 1944 to March 1945, Rose has any remaining naïveté starved and frozen and beaten out of her, until the appalling becomes ordinary. She is taken under the protection of the Rabbits (we would say “guinea pigs”): Polish prisoners, mostly students, on whom the camp doctors have run unconscionable medical experiments. The Rabbits know that they will all be executed eventually, but various means of evasion may keep them hidden away for another week, or day… in perpetual hope that the war will end and someone will survive to let the world know what happened in this place.
Rose’s narrative is written after she escapes Ravensbrück. A survivor in a sort of post-war limbo, Rose is also concerned with how to return to “real life.” Having sworn to herself and others to “tell the world” about the atrocities at the camp, she isn’t even able to describe the experience to her family. The Doctors’ Trial at Nuremberg suggests one path to closure by way of judgment and retribution, but Rose is looking for other ways to redeem her experience.
A poet as well as a pilot, she creates a pilot’s metaphor—lift and weight, thrust and drag—to describe the forces that fueled her survival during and after the prison camp. Obviously, Rose Under Fire is a story carrying a lot of weight. It’s the strong relationships between very different women—women from the French resistance, Night and Fog agents, Girl Scout saboteurs and Soviet bomber pilots—that give the novel lift as well.
Check the WRL catalog for Rose Under Fire.
Science Verse is the story of a young student, who’s been struck with the curse of Science Verse! His science teacher, Mr. Newton, tells him that if he listens closely enough he will be able to hear “the poetry of science in everything.” And the next day, everything suddenly and inexplicably begins to rhyme!
The book is composed of a series of twenty-three poems that are intended to help children learn about and remember a whole variety of important scientific concepts. The author uses the rhythmic patterns of several famous poems with all-new content, ranging from dinosaurs, to evolution, the stars, and even scientific method. They vary in length from a few lines to several stanzas.
I’m a big fan of witty, well-written children’s books with plays on words and linguistic ingenuity. A few of my favorite poems in the book include: the water cycle (to “It’s Raining, It’s Pouring”), the food chain (to “I’ve Been Working on the Railroad”), atoms (to “The Song of Hiawatha”), the five senses (to “The Ride of Paul Revere”), and the Big Bang (to “ ’Twas the Night Before Christmas”).
‘Twas the night before Any Thing, and all through deep space,
Nothing existed – time, matter, or place.
No stockings, no chimneys. It was hotter than hot,
Everything was compressed in one very dense dot.
Using the rhythms of familiar poems or nursery rhymes is a brilliant mnemonic device and the book comes with a CD to play that features all the poems in the book. Scieszka (“rhymes with ‘Fresca’ ”) includes a list at the end of the book, describing which well-known poems served as inspiration, for those intrinsically curious individuals who may wish to read the originals. But don’t worry: children do not have to be familiar with the original works in order to enjoy the humor. Lane Smith’s distinctive collage artwork compliments the text perfectly, incorporating drawings, paintings, and printed materials.
In addition to being a great read, this interesting, intelligent and irreverent picture book would be a great addition to any elementary teacher’s library. And if Science Verse is a hit, they’ve also written Math Curse, which is in the library’s collection.
Check the WRL catalog for Science Verse.
Ruined is a hauntingly mysterious ghost story that takes place in the heart of New Orleans. When Rebecca finds out that she has to leave her beloved hometown of NYC for a few months while her father is away in China for business, and stay with a little-known family friend in New Orleans, she is mortified. What about her friends? What about school? But there’s no choice, and Rebecca soon finds herself in the heart of the Big Easy, wandering through the Garden District and casting curious glances at the cemetery down the street from her “Aunt’s” house.
When she follows a group of the popular, old-money kids from her new private school into the cemetery one night, she surprisingly encounters a lonely girl, about her age, wearing a slightly torn dress. Interested but concerned that she will be discovered by the other teens, Rebecca asks the girl for a way out of the cemetery and runs off. As the days go by, Rebecca finds herself thinking more and more about the girl in the graveyard. When she returns a few nights later, Rebecca once again talks to the girl, but can’t help thinking there is something a little off about her. It is only when the girl, Lisette, takes her hand and she becomes invisible to the living that Rebecca makes a startling realization. Lisette is a ghost. But there’s a lot more than that to the story.
Once Rebecca looks into Lisette’s past, and her death, a shocking trail of clues, curses and hundred-year-old buried secrets comes to light. And the rich and powerful of the city are willing to do anything to keep the past hidden and their good names intact. A chilling tale with not only mystery and intrigue but also cultural detail and historical insight, this story will appeal to a range of readers.
Check the WRL catalog for Ruined.
The Legend of El Dorado was written and illustrated by Beatriz Vidal. The story was adapted by Nancy Van Laan for this book. Born in Argentina, Beatriz Vidal gives a fresh look at an ancient myth told by her father when she was a child. The native Chibchas people live near a magical lake called Lake Guatavita. In this beautiful land, ruled by the King, his wife, and his daughter, there are boundless treasures; the waters literally flow gold with the precious metal. But one day the princess disturbs the magical lake and awakens an emerald serpent. Tthe lives of everyone in the village are forever altered. So begins the legend of El Dorado, which translates to “the Gilded Man,” for the King must cover himself with gold powder before he can dive into the lake to save his young daughter. The illustrations in this book truly bring the magic of this story to life. The gold and the jewels nearly shine off the page, and the deep blues and greens of the water and landscape are simply enchanting. One could find themself wondering where such a country could be discovered, or if perhaps it is already there under their nose. Van Laan does an excellent job of adapting this story from its native language into English in such a poetic manner. It is hard to believe it was not originally told this way. This book is perfect for late elementary school students who are comfortable reading on their own. However, it is also highly appropriate for story times or group readings, or even for someone who wishes to read it to a younger child, especially because it is so visually appealing.
Check the WRL catalog for The Legend of El Dorado: A Latin American Tale.
What if fairy tales were real? Specifically, what if the story of Snow White was true? As Devoured begins, we find that there really was a Snow White, a wicked step mother, a magic mirror, a huntsman, and a prince. There was also a terrible legacy left to the descendants of both Snow White and the huntsman, in the form of a wish unknowingly granted to the wicked stepmother. With that groundwork laid, Marrone proceeds to a present day setting, and the story of a young girl named Megan.
Megan has had a tragic life. At age seven, she was in a car crash with her father and twin sister. Her father never regained consciousness, and her sister, Remy, died. Her mother has emotionally abandoned her, and spends all her time training for dance contests with the family dog. To make matters spooky, Megan is still visited by her sister, who shows her disturbing visions and gives her mysterious messages. Remy’s paranormal activity is amped up when Megan gets a job at the local theme park, Enchanted Land. All Megan wants to do at Enchanted Land is make some money, and keep an eye on her boyfriend and his “we’re just good friends” best friend Samantha. Unfortunately, Remy has other ideas. Remy warns Megan that someone will be killed, and shows her the image of a young girl with her heart cut out. Combine that familiar fictional murder method with the fact that the theme park owner has a talking mirror in her office and Marrone has herself a modern-day grim fairy tale.
Check the WRL catalog for Devoured.
Altered is a thrill ride from the beginning to the last page. We immediately meet Anna, who lives with her father in a rather isolated farmhouse. Anna and her father share some weekly traditions, like fresh lemonade and homemade cookies. She is also home schooled and learns not only the academic side of things but some tough hand-to-hand combat courses as well. However, the best part of Anna’s routine is her work, which she also shares with her father. Together they administer treatments and monitor the four teen boys who inhabit their basement. The boys have each been “altered” in some way, but the details are unknown.
Anna and her father work for “The Branch,” a completely secretive organization that they themselves know very little about. As readers, we demand answers. But the author seems skilled at giving little away, especially upfront. This incredible amount of “holding back” will keep readers flying through the pages on a search to know “why, who and how.” Each boy has a distinct personality; there’s Nick, resentful and angry, Cas, fun and playful, Trev, soft-hearted and exceedingly intelligent and Sam, the quintessential silent and strong leader who has Anna’s heart from the start.
When The Branch comes to retrieve the boys, Sam creates an escape and Anna’s father demands that she go with them, making Anna question everything she knows. As the boys hunt for clues to their pasts (which proves difficult as they cannot remember anything before the lab), Anna is searching for answers of her own. What the boys discover will shatter not only their own worlds, but Anna’s as well. The first in a series, Altered promises an exciting ride to readers who are desperate to find out the truth behind The Branch and the lives of everyone involved.
Check the WRL catalog for Altered.
It’s a wonder anyone lives in England, given the high murder rate and what must be a tough housing market for both amateur and professional detectives. And with all those historical figures taking on investigations in the US and UK, it’s a wonder they had time to write, make movies, or run their political careers. So when I was looking for a good mystery, I decided I’d steer clear of the usual place and time settings and give another location a shot. Outsider in Amsterdam happened to come to the fore. And what a unique tone and feel the city brings to this mystery.
Amsterdam in 1975 is a unique mix. The Dutch are still fully aware of the cost of the breakup of their empire, but not tolerant of the still-loyal castoffs of their former colonies. They are almost uniformly conformist to the laws that keep the city orderly, but don’t hesitate to cheat on their taxes or hire illegal immigrants. Hard drugs are anathema, but heroin addicts get treatment, including small doses of the real thing. Cops like Henk Grijpstra and Rinus DeGier spend most of their time handling petty crimes while waiting for more serious crimes to come up.
When Piet Verboom, master of a hybrid Eastern religious movement, is reported dangling from a noose in his office, Grijpstra and DeGier are assigned to investigate. The case appears open-and-shut, but of course small inconsistencies catch their interest–where is the money from the members-only restaurant and bar? Why did Verboom’s wife leave him? Why are all his employees happy to see him gone? And why is a former high-ranking constable in the Dutch colonial police, a Papuan, living practically rent-free in the building?
The investigation is driven more by their intuition and unwillingness to let even small details go than by strict procedure. When that intuition pays off, they must chase a dangerously clever criminal through Amsterdam’s narrow streets and over canals, and out onto Holland’s Inland Lake, but they net more than they initially bargained for.
As solid as the mystery portion of the story is, van de Wetering introduces solid characters for this first entry in a series. Grijpstra is a rumpled middle-aged family man willing to do almost anything to get away from his wife and (hinted at) children. DeGier is well-dressed, handsome, and a bachelor content with his surly cat, a houseplant on the balcony, and occasional female companionship. In many ways they are fairly innocent–they don’t have the innate wariness that marks most urban cops, and they don’t have so many difficult crimes to investigate that they are jaded.
There’s also some humor in the story, especially surrounding the running of the police budget. What do they do when the last VW is checked out of the police lot? Is it easier to walk to the crime scene or to catch a streetcar and submit for reimbursement? Can DeGier get expenses for a date with a potential witness if he sleeps with her?
Although WRL only has seven of the fourteen books, I’m looking forward to venturing through Amsterdam with van de Wetering as my guide.
Check the WRL catalog for Outsider in Amsterdam
Chalk & Cheese, written and illustrated by Tim Warnes, is a sweet and fun story of two unlikely friends. In this book the protagonists are Cheese, a British mouse, and Chalk, a dog living in New York City. Chalk and Cheese have been corresponding via postcards for quite a while, so one day Cheese decides he is going to visit his friend. However, the Big Apple is a lot bigger than this tiny country mouse expected. Both friends learn that they are very different from each other, especially in their upbringing, but by learning about these differences they are able to finally become even closer than before. This leads them to realizing that perhaps they are not too different from one another.
This cute story is set up much like a comic book, using the style of multiple panels per page. It is a great book for early elementary-aged children to read to themselves. The pictures and speech bubbles also make it a book that could be fun to read aloud in pairs. Warnes’ quirky writing style and original artwork make this a book that seamlessly blends picture book and comic book, something that is sure to appeal to any child who has a love for animals and travel.
Check the WRL catalog for Chalk & Cheese.
This book of short stories certainly lives up to its name; it is geektastic! Name a cult favorite, fandom, field, or following and it will at least be mentioned in this book. There might even be a whole story devoted to the topic. Star Wars, Star Trek, Buffy, RPG, MMRPG, Rocky Horror, astronomy, paleontology, academic bowl, theatre, you name it, it’s in here. As for the authors, they are a “who’s who” of popular YA writers. You’ll find stories by Scott Westerfeld, Cassandra Clare, Garth Nix, Kelly Link, John Green, and Libba Bray, just to name a few.
Some of my personal favorites include Black and Castellucci’s contribution “Once You’re a Jedi, You’re a Jedi All the Way”, which explains what might happen if a Jedi and a Klingon at a SciFi convention woke up in each other’s arms; Tracy Lynn’s “One of Us”, which is about a cheerleader who needs a crash course in all things geek to impress her football player (and closet geek) boyfriend; and finally, “The Stars at the Finish Line” by Wendy Mass, in which two rival high school students bond while finding 110 space objects in a Messier Marathon.
Some of the stories are more accessible to non-geeks than others, and even though I am geekier than some (most?), there were a couple of stories that I could not connect with. For the most part, however, the stories in this book would be enjoyable for all. Between each story there are illustrations/comics, which are particularly funny if you know enough about geeks to get the jokes. Also, be sure to read each author’s bio. Before reading this I would never have guessed just how geeky these authors are! This book was clearly written by geeks for geeks, and I highly recommend it.
Check the WRL catalog for Geektastic.
Much as the barbarians at the edges of Rome’s noble empire did, you’ll just have to get used to it. (Except that there was a seemingly never-ending supply of barbarians and this is running up on the end of Jones’ books.) So.
History. We all know who writes it, and in the case of the Roman Empire there is little doubt. Their portrayal of the people and territories they conquered is an unrelenting narrative of a superior culture overwhelming illiterate untutored savages and bringing the light of Civilization into their benighted lives. One of the ways they succeeded in creating this narrative was by destroying all evidence to the contrary. But, like murder, history will out, and medieval historian and humorist Terry Jones has taken the heavy lifting done by specialists, collated it and brought it to life in an entertaining way.
To hear them tell it, the Romans were surrounded by enemies actively seeking the destruction of their city and way of life. But looking at the maps and the archaeological evidence, it seems as though the Romans, in a never-ending quest for return on investment, were the ones actively seeking conflict. And boy, did they get it. And boy did they get their return on investment. The gold of the Celts and Dacians, wheat from Egypt, religion, knowledge, and military technology from Greece, slaves from all over the empire, foreigners brought into citizenship by enlisting in the Roman army–the benefits all flowed into the coffers of Rome. But the price to the Romans was also steep.
They required a certain amount of stability to ensure that the stream of money didn’t slow, and that the expenses of running the empire didn’t get out of hand. Conquest and prizes caused runaway inflation. And new ideas might give people dangerous thoughts that had to be controlled. The easiest way to do that was to stifle the kinds of questions that generate creativity and change. Sons were forbidden to leave their fathers’ professions. Incredible inventions were suppressed and inventors killed. The libraries of Carthage were destroyed or dispersed, the Punic language eliminated and all of Carthage’s knowledge lost to history. (Except one important element, which Rome faithfully copied.)
Culture by culture, Jones takes us around the edges of the Roman empire, showing that art, learning, technology, law, and military skill exceeded that of Rome. What those cultures didn’t have was a deep-seated need to conquer any perceived threat to their home, which was what relentlessly drove Rome on. In doing so, Rome got to tell their side of the story for nearly three millenia; now, with the benefit of skepticism, scholarship, and science, those “barbarian” contemporaries can begin to assume their place on the stage.
Terry Jones’ Barbarians was published to accompany the BBC series of the same name. Although the video isn’t widely available, the book more than makes up for the lack.
Check the WRL catalog for Terry Jones’ Barbarians, by Terry Jones and Alan Ereira
I love unreliable narrators. From the unnamed man in The Unchangeable Spots of Leopards to the clueless John Dowell in The Good Soldier to the layered unreliability of American Pastoral, to the multiple narrators in An Instance of the Fingerpost, the craft is sometimes hard to detect. Sometimes it erupts all at once, sometimes it’s given to us in the beginning, sometimes the accretion of details doesn’t add up. And sometimes, as in The Sense of an Ending, we are left overwhelmed by the possibilities.
Barnes, who deliciously skewered nostalgia in England, England, returns to the same theme, but with a dark and unnerving approach that makes the reader wonder about his or her own past. Tony Webster is in his sixties, retired from an undistinguished career, divorced without bitterness, grandfather to a baby he sees every once in a while when his daughter gets around to visiting. The highlight of his life was probably the extended trip he took across the United States after his undistinguished college career, but that was ruined by the news that a prep school friend committed suicide while Tony was away.
Adrian Finn joined Tony and his two pals in a kind of elite society of scholars, although it’s quickly clear that he is far brighter than the other three, who often mistake facile conclusions and clever tag phrases for brilliance. When the four break away onto their own paths, their friendship becomes something to reminisce about rather than restart. But Tony will cross paths with Adrian again.
While in college, Tony has a few girlfriends, but falls in love with Veronica Ford, a somewhat standoffish, somewhat snobby young woman whose tastes are far more sophisticated that Tony’s. From the heady (and bodily) excitement of their early days, they grow more comfortable with each other, until Veronica takes Tony home to meet her parents. Not long afterward, though, they have the “where is our relationship heading?” conversation, and Tony drops her. Except for one bout of breakup sex.
Fast forward a while, and Tony has a letter from Adrian asking his permission to go out with Veronica. Tony dashes off a witty postcard, and that’s the end of the matter–until Adrian emulates the ancient Romans and slashes his wrists in a warm bathtub. Tony grieves for a while, then goes on with the next forty years of his peaceable life.
Then one day an official letter arrives. It seems that he’s been willed a tidy sum of money and some documents by, of all people, Veronica’s mother. Although the money is easy to collect, Veronica has the documents–Adrian’s diary–and no legal effort can pry them away from her. So Tony searches her out himself and asks for the diary via email. She sends him one page that includes ruminations, a mathematical formula with bizarre variables, and ends with, “So, for instance, if Tony “. Puzzled by this introductory phrase, Tony presses Veronica for details, until she at last consents to meet him.
The problem with their initial meeting and those that follow, is that Veronica won’t interpret any of it for him. She tells him repeatedly, “You just don’t get it. You never did and you never will.” On their final meeting, she takes him to a neighborhood in London and shows him something that he still doesn’t get. But Veronica also shows him something that blasts his self-image. That witty reply to Adrian’s letter was actually the invective-laced diatribe of a petty boy seeking to hurt the two of them as deeply as he could. So much for Tony’s memory.
What else does he get wrong? What else had he done or not done, seen or overlooked, heard and misconstrued? Barnes doesn’t tell us. Frustratingly, appallingly, he doesn’t tell us. Perhaps that is why the Intertubes are filled with discussions of The Sense of an Ending, each with a plausible development of the plot, resolution to the equation, and the end of the mysterious sentence. But most of those interpretations are contradictory, because Barnes just doesn’t give us enough. We just don’t get it. We never did and we never will.
It would seem that such an indefinite ending would consign the book to obscurity or subject it to harsh critical reviews. But Barnes’ language is so evocative, so simple, so perfect in tone that within 150 pages he makes an inoffensive nonentity realize the devastating effect he had on many lives. It becomes a powerful story of memory, and of the way we change our memories to meet our own self-image. That may perhaps be an ordinary idea, but in Julian Barnes’ hands it becomes a brilliant novel.
Check the WRL catalog for The Sense of an Ending
Is your toddler or preschooler learning about colors? Does he or she love trains? If so, Freight Train is a must read! It is a classic, Caldecott award winning, concept book written and illustrated by Donald Crews. With only a few simple words to a page and vibrant primary colors, Crews tells the story of a train from the beginning to the end. Crews also labeled the train cars to help children learn more about the different components that make up trains. Lastly, Crews does an incredible job blending the colors of each car together to represent the rapid movement of the train, which provides vibrant, bright illustrations for the children and parents!
If you have not read this classic book, check it out. I guarantee you and your child will be reading it time and time again.
Check the WRL catalog for Freight Train.
Livingston creates an engaging, quick fantasy with a satisfying touch of romance in this novel.
Kelley Winslow is a 17-year-old actress working as an understudy in an off-off-off-off Broadway production of A Midsummer Night’s Dream. She gets her lucky break when the lead actress busts her ankle and Kelley has to step in and play the fairy queen Titania. Turns out the part fits Kelley more accurately than she expected.
Sonny Flannery is a mortal who was stolen by faeries many years ago. He now serves as a guard for the king of the Unseelie Court, Auberon. When he runs across Kelley practicing her part in Central Park, he is almost convinced she is part fae. After she saves a kelpie from drowning, he is certain she’s something from that Otherworld.
As Kelley and Sonny unravel the mysteries surrounding her past, they feel a growing attraction. But with dark treachery threatening the mortal world, they can’t spend much time pursuing a relationship.
This book, told from both Kelley’s and Sonny’s points of view, weaves legends of faeries cleverly into present day and develops the sweet beginning of a love story. Thankfully, Livingston continues Kelley’s adventures in Darklight.
Check the WRL catalog for Wondrous Strange.
First, a series of confessions. This book isn’t in the library’s collection, so I don’t have a link to it. I’ve written about Jones’ take on Chaucer before, so I may be replowing the same field. And, even though my wife doesn’t understand it, Terry Jones makes my heart race.
Like his work with Monty Python’s Flying Circuses, Jones takes a flying leap feet-first into a settled world and turns it on its head. Chaucer’s Knight was almost universally praised by Chaucerians. After all, look at how Chaucer begins his description:A Knyght ther was, and that a worthy man, That fro the tyme he first bigan To riden out, he loved chivalrie, Trouthe and honour, fredom and curteisie.
Along with calling him “a verray, parfit gentil knyght,” there was, in the minds of literature scholars, little else that Chaucer could have done to hold the Knight up as the noble ideal in a journey filled with rogues, moneygrubbers, and climbers. Not only an ideal of the nobility, but a brave crusader who fought for the Christian faith, and who embarked on his pilgrimage to Canterbury immediately on his return from overseas. Pious, courageous, humble, courteous – except for his long-winded tale, he truly is a role model for the ages. What could Jones possibly object to?
His career, for one. Line by line, Jones goes through the list of places Chaucer and the other travelers hear that the Knight has been–from Egypt to Spain and up to Russia–and shows that it is actually a catalog of atrocities and brutal warfare not at all characteristic of the noble Crusader. If fact, in some of the places the Knight has been, the fighting was between Christian and Christian; in others he served Muslim rulers during their internal battles. His signature victory at Alexandria was marked by the massacre of innocent civilians, looting of the city, and the immediate retreat of the English knights, leaving their commander to lose the prize to the returning Muslims. His record of jousting violated every norm of that “sport,” in which the death of a combatant was considered a crime. And in a time when England was under near constant threat from France and internally, and in which desperate battles were fought, the Knight was conspicuously absent, even in direct violation of King Edward III’s order that warriors could not travel abroad.
From his career, Jones follows Chaucer’s description of the Knight’s income, his conduct, his retinue, his horse, and his dress. At every turn, he cites the writers and mores of the time to demonstrate that Chaucer was satirizing the conduct of a man who could only have been a mercenary fighting wherever money was to be made, booty to be seized, or a reputation for upholding his contracts could be made. The problem for modern readers is that the definitions of the words Chaucer uses have changed over the centuries so that we have taken them at face value rather than studying the context Chaucer’s listeners would have implicitly understood. He also digs into that interminable story of Palomon and Arcite the Knight tells, pulling out the details that show the Knight was more comfortable with the language of battle and despotism than the courtly language of love a true nobleman would have used to tell the story. How many generations of undergraduates would have paid good money to learn that it was a parody designed to be laughed at?
I don’t know how formal Chaucer scholars received the work, except in a few cases where his interpretation was dismissed. As a medieval historian at Oxford, Jones acquired firsthand knowledge of both the work and of the contemporary writers with whom Chaucer would have been familiar, and it seems to me that his view from outside the specialty may give him insight into the work. As a comic writer himself (and I quote a friend of mine who says, “Smart people aren’t always funny, but funny people are always smart”), he has a built-in eye for the fun Chaucer poked at each of the other pilgrims. And although the work is a serious piece of scholarship, it never bogs down.
Last confession: I learned about this book from a professor I had in college, and I dearly wish I could remember his name. The pebbles he dropped in his classroom continue to ripple to this day–that’s the mark of a good teacher.
Sorry, can’t check the WRL catalog for Terry Jones’ Chaucer’s Knight. If you are interested in it, try interlibrary loan. Any decent university library should have it.
Oh, get your mind out of a Hemingway novel. There are more important things to be discussed–like earthmovers that outdo the largest mechanical monsters every hour of every day with no maintenance required.
Some people get creeped out by these denizens of the humus and loam that builds up underground, but to writer Amy Stewart it is plain that few human endeavors would be possible without the earthworm. They are undoubtedly responsible for much of the fertile land that produced crops abundant enough for people to settle into communities and build cities. They are responsible for the gradual settling that preserves so many archaeological sites. And they may be one of myriad ways we can solve our current problems with treating contaminated soils and other human wastes, including human waste.
What’s strange is that earthworms attract little or no serious scientific attention. At the time of Stewart’s writing, one of the few people involved in creating a taxonomy of earthworms supported himself with a variety of jobs, including a stint as a truck driver. Another wants to create a website where people can buy the naming rights to any of the unnamed worm species, much as people used to be able to name stars. The trouble is that, despite the few people making a career of oligochaetology (possibly because your in-laws can’t spell it), a dozen uncatalogued earthworm species can turn up in a single trip, with specimens left sitting in a lab waiting to be analyzed and named by the scientist. How can their impact be assessed if researchers can’t even put a name to the subject?
Yet no less a scientific luminary than Charles Darwin turned his fascination with earthworms into the last book of his career. After observing their habits for decades, even setting aside cataloguing his collection from the Beagle to study them, Darwin finally put those observations in print. He wrote of worms’ movement in the soil, of the castings they leave behind to enrich the dirt, even of the work they do to pull objects from the surface into their burrows. (They like triangular shapes best.) He credited them with intelligence and with a dignity that surprised a world that regarded them as pests. (And, Stewart notes, they can be. When a well-meaning fisherman dumps his remaining bait worms into a different habitat, they can have an adverse effect on the environment.)
Stewart mingles the history and current studies with her own experiences as a vermicomposter. I can’t imagine anyone publishing a plain book on earthworm history, or earthworm studies, although books about raising earthworms are popular. The way Stewart turns it into a readable, thoughtful, and at times funny book shows how an odd little topic can change the way people view it. Kind of like an earthworm changes the world.
Check the WRL catalog for The Earth Moved
Benjamin Franklin, Dragons, and Pigs, oh my! Read All About It! by Laura and Jenna Bush is a great book for school-aged kids and younger children who enjoy listening to a longer story. Tyrone Brown, the main character, rules the school at Good Day Elementary. He is great at math, science, the monkey bars, and he enjoys just about everything about school except reading. However, his teacher tells him, “You never know who you are going to meet in a good book.” Tyrone does not believe his teacher, until one day, characters start appearing in his classroom! One of the characters eventually goes missing, and Tyrone and his friends go on a search in the school to find the missing character! Read Read All About It! to find out which character goes missing, if they find the character, and where they find the character.
Denise Brunkus does wonderful, colorful illustrations. For those not familiar with her work, she has illustrated many books including the popular Junie B. Jones series.
Check the WRL catalog for Read All About It!
Wintergirls is a “problem” book, a dark, intense exploration of what it’s like to live with anorexia, and between the vivid writing and the immediacy of the first-person, present-tense narration, I was compelled to turn page after page.
Lia is eighteen years old, a veteran of rehab for eating disorders; she’s been engaged for years in competitive weight loss with Cassie, her oldest and closest friend. When Cassie dies, horribly and alone, Lia’s stepmother is almost relieved that she’s no longer around to drag Lia down.
But Lia’s spiralling down anyway. Methodically weighing ten raisins (16 calories) and five almonds (35) against the need to, say, drive somewhere without passing out, Lia tinkers with the scale, plays her divorced parents against one another, and leaves a false trail of lies and plates with crumbs on them to hide her slow, deliberate unravelling. Whether Lia is literally being haunted by her ex-best friend, or whether her brain is merely tormenting her with convincing delusions, this is a horror story. It’s haunting enough to be trapped in Lia’s brain, with its funhouse mirror misperceptions of reality, viewing her own body as so much clutter, a load to be lightened.
Everything else aside, this is a strong piece of writing, playing with word association and typesetting and mythic metaphors from Persephone to Sleeping Beauty to Charlotte’s Web. Wintergirls isn’t a plot so much as a mind-set, an immersion by words into Lia’s strange, angry world. There’s no definitive answer to “why?” or “whose fault?” Lia’s point of view is a dark, dangerous place to put yourself as a reader. I came out of this book in somewhat of a daze, not sure what to do with this story, other than collar all of the young people in my life and remind them that they are beautiful and beloved.
Check the WRL catalog for Wintergirls.